Posts Tagged ‘Skagit Valley’

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Despite an overabundance of deadlines and studio hubbub lately—well, beautiful spring weather and productivity just don’t mix. So I took a day off and made my annual pilgrimage Up Nort’ to the Skagit Valley to catch the end of the Tulip Festival.

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I’m glad I waited this year; not only did the blooms hit a late peak, but the weather was nearly flawless.

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Of course, a sunny Friday in the Northwest is basically a license to play hooky, so I wasn’t the only spectator.

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Finding a shot that didn’t include minivans, port-a-potties, cyclists in DayGlo jackets or entire families striking goofy poses was quite a challenge, and required a lot of waiting and creative cropping.

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This time I was interested in far more than the tulips, however; whenever I wandered away from the fields of pink and red, I seemed to have whole acres to myself.

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But that’s the thing about the Skagit Valley—

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the tulips are lovely, but the place is perfectly magical, all on its own.

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This year’s trip came with a little added bonus: I gave into the urge to just keep right on going up the coast. There wasn’t time to get on a ferry to the San Juans (off in the distance above) or head all the way to Vancouver, but I was curious about Bellingham, so that became the destination.

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(I took the back road, of course.)

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By the time I pulled into Bellingham, though, I’d spent so much time watching people harvest shellfish and falling down the rabbit hole of fantastic bookstores that the town was closing up shop for the day.

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I did fit in a stroll around downtown, though—

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and even discovered a ferry terminal to Alaska (and started plotting future “road” trips along the Marine Highway).

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Just as I began the internal debate over whether to stay for dinner, the last of the clouds disappeared, and Mt. Baker came out. (No, not the one on the left—the other Mt. Baker!)

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That put an end to the argument—I high-tailed it back to the tulips to catch the sunset. Dinner could wait.

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By then the last of the other tourists had gone home—

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it was just me, the mountains, and a sea of blooms stretching to the horizon.

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My goodness, how time flies.

I know I’ve shown you pretty much nothing this summer except globe-trotting photo posts, but today I’ve got to stick to tradition. As of this moment, I’ve been a Tacoman for exactly two years. Twenty-four months. Seven hundred thirty days. Seventeen thousand five hundred twenty hours.

And counting.

I’m hoping for several million more, because I’ve loved every one—thanks to you T-town folks. Guys, you’re awesome. And generous, to boot—I think I had a stroke or something when I picked up my copy of this week’s Volcano and found my name printed next to “Best Visual Artist.” Holy moley. Thank you for the vote of confidence—you’re inspiring me to git to work!

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Speaking of work, which I’m not quite ready to show you yet, evidence of the past two years has been on the front burner lately. Since I first came up with the concept for my Mt. Rainier book, I’ve covered a lot of miles in our fair state—and even a few down south in Oregon. And above all else (well, except maybe Pt. Defiance, my two favorite markets, or Top Pot), what I love about the Pacific Northwest are the contrasts. From oceans to mountains, rain forests to deserts, farm fields to bustling cities—it’s hard sometimes to remember that all of this is close to home.

So before I get back to a little picture-drawin’ next week, I’ve compiled a smattering of photos taken since my last anniversary post to illustrate what I’m talking about.

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In two years I’ve amassed nearly thirty thousand digital photos of the Northwest—and that’s just of the relatively small hunk of territory I’ve managed to cover in that time.

Here’s to the next thirty thousand photos, and the next seventeen thousand five hundred twenty hours—I wonder what they’ll bring.

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Yesterday I headed north with a friend for my second Skagit Valley Tulip Festival. I was hoping to do some drawing this year, but the weather had other plans.

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It was like I’d never been there before—everything was different this year. For one thing, the tulips are blooming early, so the daffodils hadn’t retired yet.

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For another, the farmers have rotated their crops, so the tulips are occupying different fields than last year—which gave me a whole new set of photo possibilities.

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And best of all, we had the place to ourselves—Tuesday discouraged the tourists with day jobs, and the rain took care of the rest.

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The Skagit Valley is quickly becoming a favorite haunt; it was hard not to turn the day trip into a week of following all the back roads and exploring all the hidden pockets of scenery I discovered yesterday.

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That’s okay, though. I know that next time, more than just tulips will be waiting for me.

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A year ago today our bright yellow moving truck pulled into Tacoma and turned the corner onto a new home, a new career, a new life. Here I am, 365 days later, and I’m still just as excited as on day one. To everyone in T-Town (and Seattle, and Portland, and everywhere in between!) who has welcomed me as one of your own: thank you, with everything I have.

I tend to be a list-maker, constantly looking ahead to what is yet to be done. And as I sifted through the thousands of photos taken over the past year, trying to narrow them down to a few favorites, a whole new to-do list emerged. Despite my best, most frantic efforts, I’ve barely scratched the surface of this new home of mine.

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So I’ve got my work cut out for me. Washington, I’d like to get to know you a little better.

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I serve on the board of the Book Arts Guild, a group that started as little gathering place for like-minded souls in the Pacific Northwest. It has since spiraled outward to include hundreds of members in all corners of the art form and the country—and suddenly thirty years have gone by. On Saturday fifty or so of us got together to celebrate the occasion at the Stern & Faye “Printing Farm” in the Skagit Valley.

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We couldn’t have asked for a better day—I could have stayed all afternoon in the orchard, chatting with kindred spirits.

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I had heard so much about the studio, however—so while most of the group was drawing for prizes in the loft,

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I wandered downstairs to do a bit of exploring.

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This is Jules Remedios Faye, “Proprietrix” of the Farm. She and her husband, Chris Stern, moved to the Skagit Valley fourteen years ago and turned an old barn into a letterpress printer’s dream.

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The space is at once cozy and seemingly never-ending,

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serving as both a working studio and a living relic.

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The place is chock-a-block with tools, type and ephemera, and functions as a type foundry as well—one of a small and dwindling number remaining in the U.S. these days.

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After Chris passed away in 2006, Jules was forced to scale back the studio a bit to continue managing it alone. The barn is still very much alive, though—the walls are festooned with prints, and evidence of well-loved and continuing use is all around. It feels like their space, not just hers.

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His presence is everywhere—a fitting memorial.

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The Printing Farm was the absolute, most fitting place to celebrate the anniversary of the Book Arts Guild. It served as a touching reminder that no matter how far into the past our roots go, no matter who has gone before us or what new trends have appeared, we’re still here—still breathing, still practicing, still creating.

After all, that’s what we’re here for.

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Today we dished out our first strawberries and cream of the season—cause for major celebration at our house. Now, lest you get the idea that I’m either entirely too easily amused, or have never heard of a supermarket, let me explain. The Tailor and I do our best to eat locally, organically, and seasonally—and we’re lucky to live in a part of the world with lots of like-minded people who do the same. I think, however, that we tend to fall in the, uh, hardcore variety of seasonal foodies. I’m sure this topic will crop up again in the future, so I’ll save you the spiel. For now, let’s just say that if Mount Rainier happened to go ka-blooey some winter, cutting T-Town off from any supply routes into the city, we could live on our stored food for a good three or four months before we started beadily eyeing the squirrel population. Sure, it’s probably a little nutty, but what it boils down to is the fact that we only eat asparagus in the few short weeks every year that it’s available locally—and we don’t buy any produce between November and April. So for me that first beautiful mouthful of fresh, perfect, tiny strawberries is better than any birthday present (though I admit to occasionally breaking down and impulse-buying California berries two months early when my will is weak).

All of this is to say that living seasonally certainly teaches one to learn the cycles of the year (so as not to miss the asparagus, you know), and to appreciate the best parts of every season, however brief they may be. So while I was utterly failing to save the rest of the berries for later, I reflected on how thankful I am for the lovely, prolonged spring we enjoy ’round these parts (in the Great White North, it passes in a pink flash). And then I remembered that I owe you some tulip photos.

(See how my brain works? I’m a walking non-sequitur.)

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Long before we moved here, I’d heard stories of the Skagit Valley Tulip Festival, of the magic of standing in a sweeping vista of rainbow blooms, seeming to end only where the Cascades began.

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The stories left out one important point, however: the light. As soon as the sun cleared the clouds, every flower burst into a neon glow, filling the valley with unreal color.

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You know, for a place that claims to be grey so much of the time, my digital color correcting skills are getting awfully rusty.