Posts Tagged ‘Harriet Tubman’

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Finally, something tangible to show you! This is the point where all of the elements for my new body of work are just starting to come together. The past couple of months have been somewhat of a nail-biter—sometimes I wonder what possessed me to create twenty-six new pieces for a last-minute show. Now that the promo postcards (see above) are in hand and I can see the finish line, however, I can tell that my instincts knew what they were doing.

Mnemonic Sampler is my new solo show, opening October 14 at the PLU University Gallery. Here are the details:

Mnemonic Sampler: An Abecedary by Chandler O’Leary
October 14 to November 11
University Gallery, Ingram Hall
Pacific Lutheran University, Tacoma, WA
Opening Reception: Wednesday, October 14, 5-7 pm
Open Monday – Friday, 8 am – 4 pm
For more information, call 253.535.7573 or email soac [at] plu [dot] edu

On display will be something of a room-sized artist book, consisting of twenty-six hand-embroidered monoprints on calico (a monoprint is the opposite of an edition, a one-of-a-kind piece). Together the prints form an abecedary, or alphabet, and tell the story of how our concepts and ideals of “Home” are linked to the everyday objects that surround us. More on this topic when the show opens, but for now, here’s a peek (since the work is not quite finished, a peek is all I’ve got for now):

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Many, many thanks to the talented and infinitely helpful Katie Skovholt at PLU, who took care of having show postcards printed and mailed (!), orchestrated every logistic detail, and who has made the whole process as smooth as pumpkin pie. I would have long since lost my mind if it weren’t for you, Katie!

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Speaking of amazing women who run galleries, another big thank-you and shout-out to Laura Russell of 23 Sandy Gallery in Portland, for featuring End of the Line on the promo materials for another new show that opens tonight. Broadsided! is national, juried exhibition of letterpress broadsides featuring the work of thirty-four artists. Here are the details from the 23 Sandy website:

Broadsided! The Intersection of Art and Literature
October 2-31, 2009
23 Sandy Gallery
623 NE 23rd Avenue
Portland, OR 97232
Opening reception: Friday, October 2, 6-9 pm

Open Thursday-Saturday 12-6 pm and by appointment

Before books, before blogs and before broadcasts, there were broadsides. Historically, single sheet broadsheet posters were ephemeral in nature. They were developed in the fifteenth century for royal proclamations, official notices and even advertisements. Today, broadsides hang at the intersection of art and literature. Letterpress printed broadsides are valued as fine art designed and printed by a true craftsperson; but also as fine literature featuring stellar poetry or prose.

The best part about the Broadsided! exhibit is that you don’t have to be local to see it! Laura has set up a fantastic online catalogue of the work in the show, with photos and the complete text from each broadside. Nothing beats seeing art in person, of course, but if you can’t make it to Portland this fall, this is a brilliant alternative.

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For nearly a year now, the Feminist Broadside series has given us an outlet for both our aspirations and frustrations. For every social and political victory, there follows a reminder of how divided we are as a culture. We were so proud to see Victory Garden become a part of a nation-wide movement toward sustainability—but a movement and a majority are not the same thing. We are delighted whenever a customer tells us that Prop Cake is meant for a wedding gift—but are heartbroken by the reminder that for many people, the gesture can only be symbolic. Yet through it all we remain optimistic that art can make a difference—that a bright future is out there, somewhere, and that we can help find the way to it.

This is why we chose Harriet Tubman for our latest piece. There are so many pressing issues vying for our attention—war, the economy, healthcare, the environment, transit, equality, etc.—that we couldn’t choose just one. So we decided to focus on the journey itself. For all the ground we’ve gained in our country’s short history, we have a long, long way to go—and the only way we’ll get there is together. Harriet Tubman knew that when she fought for freedom and civil rights, and she devoted her entire life to the idea.

So here, submitted for your approval, is End of the Line. As always, everything—from the illustrated lettering to the letterpress printing—is done completely by hand. This time, though, we’re asking you to flex your reading muscles a bit: to symbolize the difficult journey faced by anyone with a great task, we made it somewhat of a challenge to read.

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Don’t worry, though—Harriet is there to guide you. Just follow her lantern, and you’ll find the right path. If you lose your way, just look for the Drinkin’ Gourd.

End of the Line: No. 5 in the Feminist Broadside series
Edition size: 146
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press and hand-colored with watercolor. Each piece is printed on archival, 100% rag, recycled paper, and signed by both artists.

Colophon:
Harriet Tubman (1820 – 1913) was born Araminta Ross as a slave in Maryland. In 1849 she escaped north traveling via the Underground Railway to Philadelphia. Once free, “Moses” made 19 more round trips—guiding nearly 300 slaves to freedom—and she “never lost a passenger.” During the Civil War, Tubman recruited slaves to fight for the Union Army and led the Combahee River expedition to free more than 750 people. After the war she continued to work tirelessly for the rights of women and African Americans.

Illustrated by Chandler O’Leary and printed by Jessica Spring, who believe that cooperation and hope give us the momentum to reach the end of the line—without losing any passengers. 146 copies were printed by hand at Springtide Press, way up north in Tacoma. August 2009.

Price: $35
(Subscribers to the entire series pay $30. If you’re interested in subscribing, send me a note at chandler [at] anagram-press [dot] com.)

Available now in the shop!

Since the others in the series are now sold out (there is still a framed copy of both Tugboat Thea and Prop Cake), we’re also offering reproduction postcards of the first four broadsides. Everyone who subscribes starting with End of the Line will receive one free set of postcards.

(The next Feminist Broadside will be released in November 2009.)

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