For the past several months, the buzz here in T-town has centered around the Luzon building on Pacific Avenue, a 119-year old structure that, depending on whom you ask, is either an architectural gem or a decaying eyesore. (As you can probably guess, I fall into the first category.) Above is an image of the Luzon in its infancy; this photo is printed from a turn-of-the-century glass plate negative found in Jessica Spring’s attic (and is part of her artist book, Parts Unknown). The thing about the Luzon that has made it such a sore spot around here is that it’s not just a living piece of history—at the time it was built, it was something of an engineering marvel. Co-designed by Daniel Burnham, who went on to design the Flatiron Building in New York and became one of the pioneers of modern multi-story structures, the Luzon was one of the first buildings in America to have steel columns. That makes it a direct ancestor—the great grandpappy, if you will—of the American skyscraper itself.

This is the sorry state of the Luzon today. Even though it is on the National Register of Historic Places, and is one of only two Burnham & Root buildings remaining on the West Coast, it has been allowed to decay, apparently beyond the point of no return. While each of many redevelopment schemes over several decades has fallen through, the building has become increasingly derelict. Now that the adjacent property—which provided structrual stability—is long gone, the Luzon is crumbling under its own weight. The City has even closed the surrounding streets in case of a collapse.

Oh, and there’s a tree growing out of it. I don’t think that was part of the original plan.

Well, whether it was a ploy to get around the Historic Register for a development scheme, or the powers that be just dragged their feet for too long (or some combination thereof), the detractors are finally getting their wish. The building is slated for demolition tomorrow morning. So now everyone (including me) has got the Luzon on the brain.

Last week the inimitable RR Anderson (who has a few choice words himself about the Luzon’s fate) challenged me to compete in his weekly sidewalk chalk contest, the Frost Park Chalk Challenge. I was looking for an outlet for my Luzon frustration, so I accepted. I grabbed a hunk of charcoal, a handful of communal Crayola chalk, and headed for a highly visible chunk of concrete wall to create a public altarpiece.

My little Ascension doodle earned me a lot of comments from passers-by and the title of BEST ILLUSTRATOR IN THE UNIVERSE (OF TACOMA) for the week (thanks, guys!).

But sidewalk chalk isn’t exactly archival, and I wanted to make a somewhat more lasting statement. Here’s where letterpress comes in. Jessica and I were commissioned to design and print this year’s poster for Art At Work Month, hosted by the City. So since the theme for the overall Art At Work design this year is “ghost signs,” we decided the poster would be the perfect opportunity for a little cameo.

The original posters are letterpress printed in an edition of 100, and will be sold by the City in November, as part of the festivities. But a reproduction will also be inserted into every Art At Work brochure—over 10,000 of them. So come November Burnham’s gift to Tacoma will be long gone, but it’ll feel good to know that we did our part to make sure the Luzon is everywhere we turn—at least for a little while longer.