Archive for the ‘Pacific Northwest’ Category

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Jessica and I are waist-deep in the new Dead Feminist print (look for it here next week), so I’m just popping in to wave hello—and to warn you, in badly-dubbed English, about the giant goose climbing the Space Needle.

Just kidding … but they will be sending in the steamrollers. This Saturday, in the Needle’s mighty shadow, is Seattle’s biggest letterpress party of the year: Wayzgoose. The weather is supposed to be perfect, so come on over and say hi to scads of letterpress artists, print your very own keepsake in the studios, and referee the Steamroller Smackdown outside. Jessica and I won’t be steamrolling this time, but we will have a table in the marketplace—so don’t be a stranger!

Here’s the skinny:

9th Annual Seattle Wayzgoose
Saturday, August 28, 2010
1 to 6 pm
Free!
School of Visual Concepts
500 Aurora Avenue North, Seattle
More information and RSVP here

The lovely ‘Goose wranglers at SVC asked me to design this year’s postcard; I think I was watching too many Japanese monster movies at the time. But monsters and letterpress seem to go well together; the postcard is lovingly letterpress printed by the talented titans at Evolution Press.

I have a small stack of postcards left—if you’d like one, just leave a comment here and/or email your snail mail address to me at chandler [at] anagram-press [dot] com. So if your travel plans don’t include winging to Seattle this weekend, I’ll be sending little feathers of Seattle winging out to you.

Update: all gone! For those of you who asked for one, check your mailboxes!

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Earlier this month, my best friend Elizabeth flew in for a visit. Each time she’s come to town I’ve taken her to see a different part of the state—and since we’re in the middle of fruit season, this time we headed for the Yakima Valley.

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At this time of year, the roadsides are piled high with apple crates,

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ready for the harvest that will begin in a few weeks.

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The pears seem to be a little closer—

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they’re ripening quite nicely.

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Right now, though, it’s peach season. The Tailor sent us on an errand for as much preserve-ready fruit as we could get our hands on—so I took him literally and brought home fifty pounds of Regina peaches,

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another fifty of Rival apricots,

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and a handful of beautiful donuts for a snack.

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Once he got over his shock at the trunk full of fruit, and set aside a few peaches for the pie I had been begging for,

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the Tailor canned up an impressive array of preserves. From top left forward: peach jam; ginger-peach chutney (a collaboration with Jessica); sliced peaches in medium syrup; apricot jam; apricot sauce.

My favorite, and the one I can’t wait to taste with a little kugel:

Apricot Jam
(yield: about 10 half-pint jars)

– 2 quarts (8 cups) crushed, peeled apricots
– 6 cups sugar

Now, I’m not going to go into great detail about the whys and wherefores of home canning now, but if canning’s your thing, this will be old hat for you anyway. If not, and you’d like more specific instructions, I’d suggest our favorite resource: Putting Food By.

Anyway. Wash your jars in hot water (most books will tell you to sterilize them, but that’s what the hot water bath at the end is for). Keep the jars hot in a low oven (if you pour hot jam into cold jars, the glass can shatter), and the lids sterile in boiling water until ready to use.

Combine the apricots and sugar in a large stock pot. Slowly bring to a boil, stirring occasionally until the sugar dissolves. Cook at a rapid boil until thick (when the mixture reaches about 220° F, depending on your preference), about an hour, stirring frequently to prevent sticking or scorching.

When the mixture jells, pour it into the hot jars, leaving a 1/4-inch headspace in each. Wipe the jar rims with a clean cloth (any jam left on the rim will prevent the jar from sealing), attach lids, and tighten ring bands. Process in a boiling water bath for 5 minutes (longer if you live at high altitude).

Let cool for 12 hours before removing the ring bands. Store in a dark, dry, cool place.

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Or, if you just can’t wait, pop open a jar and have some toast ready.

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I’ve been sitting on this post for months now—it’s just that after spending so much time hunched over this project, I needed some time off from even thinking about it. But now I’m ready to talk birds again.

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From left: Cedar Waxwing; Steller’s Jay; American Avocet; Purple Martin; Tufted Puffin

Eighteen months, twenty-five birds, six hundred twenty-five individual prints and ten box sets later, my little Flock is finished.

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Mountain Quail; American Bittern; Long-billed Curlew; Hooded Merganser;
Laysan Albatross

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Barn Owl; American Kestrel; Eurasian Coot; Anna’s Hummingbird; Herring Gull

It’s a little crazy to see these all together, like, well, birds on a wire. Each one has been broken down into its own little assembly line for so long that I forget sometimes to see them as a set.

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Western Tanager; Lazuli Bunting; Northern Flicker; Bullock’s Oriole; Belted Kingfisher

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Common Loon; Marbled Murrelet; Northern Shoveler; Harlequin Duck; Brown Pelican

As you can see, what’s represented here is a pretty broad cross-section of Washington birds. There are so many bird species ’round these parts, in fact, that I almost didn’t know where to start—and narrowing the choices down to twenty-five was by far the most difficult task.

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Wait. I take that back. The hardest part was keeping the glue off of the pricey imported Japanese book cloth (glue plus cloth equals death—or at least wailing, gnashing of teeth, and starting all over from the beginning).

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You see, it seemed silly to have a set of prints with nothing to house it. My inner book artist took over (thanks to Jessica’s tricksy enabling), and insisted on encasing the first ten sets of the edition in handmade clamshell boxes.

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Even though the results are always worth it, I don’t have much love for making boxes—what I do love is printing the colophon, or production notes. A colophon (or in today’s hardbound novels, the “note on the text”) is an essential element in any artist’s book; this is where the artist steps outside the book’s content and talks about the making of the book itself. For this I decided to go back to my letterpress roots, and hand-set the text in metal type.

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While I’m rarely able to fit hand-setting into my projects these days (a drawback to all this D.I.Y. lettering I’ve been doing), it’s still my favorite method of getting a block of text onto a page. And this beloved Bembo, cast locally at Stern & Faye, is so beautifully spaced and balanced that it’s a dream to set and a pleasure read.

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Here’s what it says:

The sheer variety of avian species here in the Pacific Northwest is staggering. Nurturing a fledgling love of birding was easy; the hard part was winnowing my list of favorites down to a couple dozen portraits. Here, then, is Flock, a motley kettle of songbirds, waterfowl, raptors, and shorebirds. While they’re not exactly birds of a feather, every member of this brood can be found either as a permanent resident or a passing traveler in Washington state—with just a wingtip of artistic license, that is.

Printed from October 2008 to December 2009 on a gaggle of presses, including Vandercook models SP15 and Universal One, a Craftsman 6.5 x 10 platen, and my little Kelsey 3 x 5—at the School of Visual Concepts in Seattle, Springtide Press in Tacoma, the University of Puget Sound, and here at Anagram Press, respectively. The colophon is hand-set in Bembo, and each hand-carved linocut print is hand-painted with Pelikan watercolor (no pun intended). Of a covey of 25 birds, a tweet of 25 prints each, and a parliament of ten box nests, this is number [2].

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Okay, so maybe I went a bit overboard on the avian puns. It’s just that the thought of getting my hands dirty on type drawers again had me all twitterpated.

The ten box “nests” are now sold out, as are several of the individual birds, but about a dozen or so bird designs are still available in the “Flock” section of the shop. And I have a fluttering feeling that there might be even more birds in my future—one of these days, anyway.

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My goodness, how time flies.

I know I’ve shown you pretty much nothing this summer except globe-trotting photo posts, but today I’ve got to stick to tradition. As of this moment, I’ve been a Tacoman for exactly two years. Twenty-four months. Seven hundred thirty days. Seventeen thousand five hundred twenty hours.

And counting.

I’m hoping for several million more, because I’ve loved every one—thanks to you T-town folks. Guys, you’re awesome. And generous, to boot—I think I had a stroke or something when I picked up my copy of this week’s Volcano and found my name printed next to “Best Visual Artist.” Holy moley. Thank you for the vote of confidence—you’re inspiring me to git to work!

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Speaking of work, which I’m not quite ready to show you yet, evidence of the past two years has been on the front burner lately. Since I first came up with the concept for my Mt. Rainier book, I’ve covered a lot of miles in our fair state—and even a few down south in Oregon. And above all else (well, except maybe Pt. Defiance, my two favorite markets, or Top Pot), what I love about the Pacific Northwest are the contrasts. From oceans to mountains, rain forests to deserts, farm fields to bustling cities—it’s hard sometimes to remember that all of this is close to home.

So before I get back to a little picture-drawin’ next week, I’ve compiled a smattering of photos taken since my last anniversary post to illustrate what I’m talking about.

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In two years I’ve amassed nearly thirty thousand digital photos of the Northwest—and that’s just of the relatively small hunk of territory I’ve managed to cover in that time.

Here’s to the next thirty thousand photos, and the next seventeen thousand five hundred twenty hours—I wonder what they’ll bring.

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The second part of my little holiday was a little more ambitious: a four-night camping trip with the Tailor in southern Oregon. It was just what the doctor ordered—the perfect prescription for recharging the soul.

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We camped in the Rogue River National Forest, in a grove of hemlocks and blooming dogwoods—

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just downstream from this.

The Rogue River is so beautiful that we could have spent the whole trip exploring its banks. Well, if we hadn’t had another destination in mind, that is:

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Crater Lake National Park. One of the deepest, clearest lakes in the world, Crater Lake was formed 7,700 years ago by the collapse of Mt. Mazama, after an explosion more than forty times the size of the 1980 eruption of Mt. St. Helens.

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When a group of prospectors stumbled upon it in 1853, and thus became the first white folks to lay eyes on it, they named it Deep Blue Lake. Heh. Imaginative. Well, at least it’s descriptive.

And accurate. The lake is so impossibly blue because of its depth; when the sun’s rays refract upon hitting the water, red and green light are absorbed in the depths, while only the blue light (which has a shorter wavelength) reflects back to the surface. So the lake is blue even on a cloudy day—as you can see.

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We were a week too early for the boat tours to open for the season, but we hiked down to the water anyway. The rangers like to say that the trail is “one mile down, ten miles back  up” (it’s funny because it’s true. Oy.), but the experience is well worth the huffing and puffing. Next time I’ll bring bug spray, though. Note to self.

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Did I mention that it’s blue? And deep? Maybe those prospectors were onto something.

The photo above doesn’t come close to doing it justice (none of my photos do), but the sheer depth and clarity of Crater Lake was mind-boggling. It’s impossible to tell how deep the rocks in the upper left corner of the photo are, but according to the topo map in front of me, it’s quite a ways down. Because there are no streams in or out of Crater Lake, there’s nothing to muddy or disturb the water—objects are visible nearly 150 feet down. Deep Blue indeed.

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The thing that really got to me was the fact that the lake was both a bottomless pit and a perfectly-flat mirror, depending on which way you looked at it. That’s probably why this is my favorite photo of the trip—somehow the camera managed to look at things both ways.

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I think I must have been trying for the same kind of perspective with this drawing—and with far less success, I’m afraid. My brain broke when I tried to analyze the thing graphically. Ah, well. (The ground squirrels were fun, though.)

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This one worked out a lot better—and it didn’t hurt that the figure and desert drawings were already there to help things along.

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Speaking of deserts, we also saw a whole lot of barren landscapes to balance out all this snow and water. For one thing, we drove down and back on the eastern (the arid leeward) side of the Cascades. For another, there are places where all this ancient volcanic destruction still looks like it happened last year. This is the Pumice Desert, on the north side of the National Park.

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And this is something else again. Now, I loved everything we’d seen at the Park, but my absolute favorite part of the trip was this place, which made for a side trip on the way home. This is just south of the Newberry Caldera, another collapsed volcano formed in precisely the same way as Crater Lake, but on a much smaller scale. A trail winds up and through the rock-pile hills—a landscape that seems plucked from the surface of the Moon.

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If you step closer, however, you’ll see the light glinting off of each rock and pooling in every crevice. In full sunlight the entire hillside sparkles like a gigantic, blinding treasure hoard.

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The rocks shine because they’re not rocks—they’re glass. This is obsidian, a natural glass formed when lava cools rapidly without crystallizing. Besides being gorgeous and just about the coolest thing ever, obsidian is extremely useful as a surgical tool. Obsidian scalpels can be sharpened to a near-microscopic edge (because of the not-forming-crystals thing), and the incisions they make produce narrower scars than steel scalpels do. Neat, huh? Anyway, obsidian flows of this size are quite rare, so if you get the chance to walk through one—take it.

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I could have stayed all day with the obsidian (which, by the way, is called the Big Obsidian Flow, a name that gives Deep Blue Lake a run for its money), but we were still several hours from home (we figured we’d have to spend the first hour stepping carefully around all the ground squirrels that had appeared at our feet), and we still had one more stop to make:

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Lava Butte, from which it was possible to see pretty much every darn volcano in Oregon, and even Mt. Adams in Washington. I won’t bore you with the 200 other photos I shot from up there, but let’s just say I was in suitable awe.

Oh, and for the record? All of these volcanoes are still active. How freaky is that? Or maybe it isn’t, and I just have volcanoes on the brain, but I think it’s freaky.

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I lost count of all the volcanoes we spied, but the rest of the numbers were easy to tally:

Five glorious days.

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Five breathtaking sunsets.

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Five thousand smiles.

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Since I’ll be a hermit for most of the rest of the year while I finish my Rainier book, I tried to sneak a little summer vacation time into June. If I was going to lock myself indoors during our sunniest season, I wanted as many mountains, oceans, flowers and skies as I could cram into a week first.

For the first few days we had a couple of friends staying with us. Since one of them was visiting from Colorado, and wanted a change from the hot, dusty summer back home, we took a day trip to the Olympic Peninsula for a good dose of lush greenery.

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The West Coast highway, U.S. Route 101, ends with a 300-mile, two-lane meandering loop around the Peninsula. It’s the only thoroughfare on the entire Peninsula, and a treacherous road, full of hairpin curves, patches of fog, logging trucks and landslide-prone slopes—but the scenic beauty makes the drive a spectacular adventure.

We took the northernmost leg of the road that day. Just west of Port Angeles it winds through a tunnel of trees as it hugs the shore of Lake Crescent, where we stopped for a picnic lunch beside the impossibly blue water.

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We were tempted to spend the whole day at the lake, but a bigger surprise lay down the road: the Hoh Rain Forest, one of the largest of America’s rare temperate rain forests. I’d also bet it’s the most beautiful—if it weren’t a four-hour drive away, I’d go every day.

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I had only ever seen the place in a downpour (big surprise—they get up to fourteen feet of rain and over 300 cloudy days a year), but as soon as we arrived that day … the sun came out.

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I almost didn’t recognize the place.

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The last time I was there, droplets hung from every surface and everything shimmered with a gossamer silver glow.

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This time, the glow turned to spun gold and bottle green.

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As always, though, every branch was festooned with cat-tail moss, and sword ferns carpeted the forest floor.

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And the clovers were the biggest I’ve ever seen.

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So were the trees.

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The best part about our road trip was the fact that it was nearly Midsummer; we still had hours of sunshine left to us. Next on the itinerary: Ruby Beach.

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It was a short hike down to the water, past Queen Anne’s lace and just-ripening salmonberries, with the roar of the Pacific ringing in our ears.

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That second stamp is still the only banana slug I’ve ever seen, alas. The search continues!

I sat down to do a watercolor,

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while Ethan moved along the shore to explore the sea stacks,

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and Nicole stopped to take in the view.

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We made a quick contribution to the collection of obos on a nearby driftwood log, and set off for home.

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If this is Twilight Firewood, then can I assume that’s the Twilight Dumpster back there?

On the way back we stopped for a little absurdity. Route 101 passes through Forks, home of a certain infamous vampire series; we couldn’t resist stopping to take photos of the hilarious roadside tie-ins that had popped up since the last time I passed through.  I’d never read the books, but when Nicole told me that these vampires only eschew sunlight because it makes them sparkle … well. My morbid curiosity got the better of me, and before I could stop myself, I read the whole blasted page-turning accident scene of a series the following week. Ugh.

And, uh, yeah. They sparkle. And whine and brood and mope. Curiosity satisfied.

I digress. Sorry.

By that point we were starving—but not in the mood for Twi-dogs or whatever punny food might be expected in a place with a name like Forks. So I suggested we hang on a little longer and head to Port Townsend, where I knew of a fantastic seafood restaurant.

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An hour later, we had traded Forks for spoons, and were digging into our bowls of the tastiest, freshest, localest carn-starn Manila clam chowder on the West Coast. And changing my definition of road food in the process.

Oh, who am I kidding? You know that whole trip was for the chowder, right?

Well, if this isn’t a case of “be careful what you wish for,” I don’t know what is. Though for the record, I’m pretty sure I was the only person in the entire Pacific Northwest who wasn’t doing any wishing. (I like the cold.) Monday it was a sweater-perfect 65 degrees; today it scorched out at 93. As I’ve said before, as we so rarely have hot weather and air conditioning is therefore scarce (and totally unnecessary 99 percent of the time)—well, if you want to cool off, you’ve gotta get creative.

In this, my third summer here, a certain set of cooling-off routines are quickly becoming a tradition. Here, then, are my top-5 favorite heat-beating tips, Northwest style:

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1. Grab a friend and get on a boat. Namely, the Bainbridge Island ferry. Since it’s always at least twenty degrees cooler on the Sound, the passage kicks up a deliciously cold breeze that puts every air conditioner in Phoenix to shame.

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2. Take a cue from the seagulls and head for the prow. The breeze is stronger up there—the birds sure love it.

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3. When you arrive on Bainbridge, stroll down to Mora for a cone. I’m a believer in Dessert First.

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(Use a spoon as necessary to stay ahead of the melting.)

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4. When you get back to the mainland, duck into an air-conditioned restaurant and follow up that dessert with a light, cold dinner and an icy drink. Do this European style, and take your sweet time.

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5. When you finally finish dinner, take a walk in the evening air and watch the sun do spectacular things on its way out. That’s the best part, and the most solemn promise of hot-hot days in this neck of the woods.

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The Tailor and I had some errands to run in Portland yesterday, and since the the rain that has been pounding us for two weeks was finally starting to give way to sun, we decided to take the long way home, along the winding coastal road.

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We stopped for clam chowder in Astoria, Oregon—a historic hill town (and one of the oldest settlements in the Pacific Northwest) perched above the mouth of the Columbia River. Beautiful views and Victorian houses aside, the really fun thing to do in Astoria is to look for the locations used in films like Short Circuit, Kindergarten Cop (it’s not a too-muh!), and The Goonies.

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We meandered through a few neighborhood streets and an antique shop on the main drag, but as we had several hours to drive yet, and since the sun was setting in earnest by the time we finished dinner, there wasn’t time to play movie tourist. But as we walked back to the car, we saw a theatre marquee announcing that next weekend, Astoria would have a celebration honoring the 25th anniversary of The Goonies!

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After a few depressing moments where we realized how old that made us feel, and that we had uncancellable plans for next weekend (though if you want Corey Feldman’s autograph, you might want to check it out), the Tailor started getting excited.

Him: I want to watch The Goonies when we get home!
Me: We don’t have The Goonies.
Him: We’ll swing by Stadium Video!
Me: I seriously doubt they’ll still be open.
Him: What if we bought a copy on the way home? There’s got to be a Target or something between here and Tacoma.
Me: Didn’t we decide to take the back road so we’d miss all that? There’s nothing for a hundred miles!
Him: Well, yeah. C’mon, everything is closing here. Where can we go to find DVDs for sale?
Me: Hmm, if we can get to Olympia by 10:00, we might find a store that’s still open.

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Well, as expected, the drive was beautiful but desolate. When we finally reached the outer suburban ring of West Olympia, it was 10:30, but since we had arrived in the land of chain stores, it was worth a try. Despite the guilt over our sudden willingness to hand our money over to corporations, we tried three big-box stores that start with a “B,” two of which that, like everything else at that hour, were shut tight. Since we still had that last shred of hippie conviction that prevented us from trying to find a Walmart, we gave up and headed for home.

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But then, just before we reached the highway again, I spotted (through my doubloon, of course) a Blockbuster Video on the left, with a neon “Open” sign in the window. I had just enough time to roll my eyes and slam on the turn signal before some instinct took over and steered the car into the parking lot. It took some digging, but buried in a corner was a miraculous, unassuming copy of The Goonies.

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Needless to say, we stayed up way too late last night. Goonies never say die!

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Sorry about the long gap in posts; Jessica and I are waist-deep in the new Feminist Broadside, which will be released a month behind schedule. Details soon, but the short version of the story is that a paper-procurement issue and the Gulf oil spill sent us veering in another direction. Look for a sneak peek in a few days!

volcano_glassmuseum_5795I’ve had volcanoes on the brain for nearly two years. Littering my studio are volumes of sketches, nearly 6,000 photographs, reference books, stacks of maps, and a brand new, functional prototype of the artist book about Mt. Rainier I’m working on—all evidence of my attempts at capturing a series of fleeting moments and freezing them in time and on paper (Rainier is hiding there in the clouds, at the bottom of the above photo).

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Photo by the U.S. Geological Survey

And then there’s the little corked bottle of volcanic ash on my desk, inscribed with the date of the last major eruption of Mount St. Helens: exactly thirty years ago today.

I’ve been staring at that bottle on and off, all day, reminded of why I’m doing all of this (and why I can’t wait until I have something to show you!).

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This project began as a tribute to Hokusai, the Japanese printmaker and illustrator who created his famous Views of Mount Fuji (36 views in the first set and 100 views in the second) woodblock series over 150 years ago.

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Hokusai wanted to demonstrate the unchanging immortality of Fuji amidst the transient nature of everyday life. To him, Fuji was forever, an unshakable icon of Japan and one of the foundations of his culture.

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The trouble is, Fuji is a volcano—just like Rainier and St. Helens—that by its very nature is constantly changing right along with the lives being lived in its shadow. That knowledge is where I found the root of my own project, and since then I’ve tried to document the fire mountain in my own back yard—to be there for every change and permutation.

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Today’s date lit a bit of a fire under me, and prompted me to get on with the business of finishing this artist book. Because one day this is all going to happen again. Mount Saint Helens will be first, I’d wager; being the most active and youngest volcano in the Cascades, it may only be a matter of a few years. And some day, even if it’s a hundred or a thousand years from now, Rainier is going to have its turn, too.

For now, though, I’m just doing my best to pay attention to the present moment, because one day I may need help remembering how things used to be.

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Today was just begging for a Sunday drive, Mother’s Day crowds be darned, so the Tailor and I moseyed up to another of my favorite haunts: Port Townsend.

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Port Townsend is located on the northeastern tip of the Olympic Peninsula (close on a map to but in reality very far from Cape Flattery) and guards Admiralty Inlet, where Puget Sound ends and the Straits of Juan de Fuca begin. It’s practically within shouting distance of Canada on one side (you can just make out the line of Vancouver Island along the horizon here), and lava-spewing range of Mt. Baker on another.

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These days it’s a sleepy, semi-tourist town (thankfully it’s remote enough that it’s often possible to go without being mobbed by teeming hordes), home to both artists and seagulls, but at one time this place was hoppin’.

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Its location made it an ideal military, trade, and shipping hub; Port Townsend was a prosperous and well-established seaport by the 1870s—nearly twenty years before Washington became a state. The town’s early boom afforded it a lavish and significant array of Victorian architecture—and once shipping fell out of favor there, its failure to develop a replacement industry (see above: remote) proved to be an accidental blessing of historical preservation.

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As a result, Port Townsend has an astonishing collection of Victorian houses and commercial buildings (this building is a young ‘un, built in the year Washington gained statehood), and is one of only three seaports on the National Register of Historic Places.

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Beyond the architecture (which, don’t get me wrong, is the stuff of my dreams), what I love about this place is how lived-in it feels. It’s not a stage set, or an overgrown museum, like so many historic towns I’ve seen. Port Townsend feels comfortable, inviting, and absolutely real.

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It reminds me of places like Durango, Colorado; Stillwater, Minnesota; Salem, Massachusetts—all places that have taken up permanent residency in my heart. Places with real, breathing history and still-current ordinary life.

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And I’m not even biased by the New England-authentic jimmies-coated ice cream cone I stumbled upon today—though the pitch-perfect nostalgia of my favorite childhood treat favorite-thing-in-the-whole-wide-world (which really can’t be found west of the Hudson, at least not completely slathered like this, and for which I nevertheless search tirelessly) made me happier than I can say.

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Ahem. I digress. Big time. Port Townsend has one more beauty up its sleeve—although as it’s not on the beaten path, it’s easy to miss. The tippy-tip of the town’s little peninsula is occupied by Fort Worden, formerly an army installation (1890s to 1953) and now a state park. The gub’mint knew what it was doing with this one—they picked one of the loveliest and most strategically important chunks of real estate in the Pacific Northwest. I’m sure glad it belongs to all of us now—I think it’s better for flying kites than cannonballs anyway.

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Fort Worden’s best feature, and the perfect climax to a day in Port Townsend, is Point Wilson Light, the tallest lighthouse on the Sound. This is one of my favorite spots to sit and watch the world go by, and today’s date reminded me that while we didn’t get to it on her recent visit, this is one spot that I think my mum would love, too.

Happy Mother’s Day, everyone! (And happy birthday, Dad!)