Archive for the ‘Behind the Scenes’ Category

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It’s hard to ignore the news of protests occupying the attention of cities around the world—of the many and diverse thousands of people unified under one simple, yet infinitely faceted mantra. As members of the, well, vast majority of folks without any real political or financial clout in the world, Jessica and I can get behind their message—but that’s not so much the point. What really amazes us is that with a little tenacity and strength in numbers, the powerless can suddenly become very powerful, indeed.

It made us think of a woman who, despite having a famous sibling, would have disappeared into obscurity but for the simple act of picking up a pen.

My power was allways small tho my will is good.  —Jane Mecom

Jane’s eminent brother, on the other hand, had a little more faith:

Energy and persistence conquer all things.  —Benjamin Franklin

Jane had both energy and persistence in spades, although we marvel at how she managed it, with twelve kids, a family business and a house perpetually full of boarders to occupy her attention. Yet of Benjamin’s sixteen siblings, Jane is the only one whose story has survived the 200+ years since her death—all because she committed her thoughts to paper. So in honor of Ben and Jane’s relationship, and in solidarity with those who find the strength to speak up, we present our first dual Dead Feminist broadside, Signed, Sealed, Soapbox.

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Since this is also our first print that features a male Dead Feminist (nope, you don’t have to be a woman to be a feminist), we thought it deserved a little something extra. So we set it up like a conversation—or in this case, a written correspondence. Besides, there was just so much historical ground to cover—even condensing the information to a blog post is a challenge, let alone plucking two sentences from a lifetime of dialogue. (If you haven’t already guessed, this post is a long one. Grab a cuppa if you dare to settle in!)

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Buried in the stacks of our excellent public library, I uncovered an obscure tome: The Letters of Benjamin Franklin and Jane Mecom by Carl van Doren. The book chronicles their entire surviving correspondence—98 letters in all, printed in full. I was a little worried that the writing style of the day would make even skimming for quotes a chore—but in truth, I couldn’t put it down. It was like peering into the lives of any two ordinary people who happened to care for each other very much. There’s humor, and worried advice, and gossip, and gentle sarcasm, and the occasional scolding (usually on Jane’s part) when one or the other let too much time pass between letters. Most of all, there’s love—it’s there on every page. After all of that, we couldn’t just limit the broadside to a couple of one-liners. So the quotes are accompanied by excerpts from their actual letters, each calligraphed as closely as possible to Ben and Jane’s actual handwriting. Even the spelling errors and colonial-era grammar are intact; we figured it was better not to mess with history.

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Jane’s excerpted letter:

I have wrote & spelt this very badly but as it is to Won who I am sure will make all Reasonable allowances for me and will not let any won Els see it I shall venter to send it & subscrib my Self yr Ever affectionat Sister, Jane Mecom.

Ben’s reply:

Is there not a little Affectation in your Apology for the Incorrectness of your Writing? Perhaps it is rather fishing for Commendation. You write better, in my Opinion, than most American Women. Believe me ever Your loving Brother, B. Franklin.

There are few Founding Fathers more famous than Ben Franklin, but Jane was somewhat of a mystery. What we do know is that she had a very different life than her illustrious brother. Thanks to the simple fact of having been born female, her youth was spent having babies rather than obtaining an education. Her life was marked with misfortune, poverty and the deaths of nearly everyone she loved. Yet through it all she craved knowledge, and read everything she could get her hands on. She was a skilled craftsperson, making the famed Franklin Crown Soap and teaching the trade to others. And she followed her brother’s career with pride—and he supported her in return, both financially and emotionally.

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On my epic road trip with the Tailor this summer (about which I still owe you serious bloggage), our path took us through both Boston and Philadelphia—ye olde stomping grounds for Doctor Franklin. I had the library book of letters with me on the trip (thank goodness for online renewals), so their words lent an interesting depth to my wanderings.

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In Philadelphia, I visited Ben’s print shop and post office, and, well, geeked out a little bit.

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It was my first trip to Philly, but even without prior knowledge of the place,

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Edit: not actually Ben. This is William Penn. Shows how much I know. Still, from 500 feet below, that haircut looks awfully Franklin-like.

it didn’t take long to discover that Ben is everywhere.

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But Boston is a hometown of sorts, so it was there that I did the most digging.

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And it turned out that digging was necessary. With so many Revolutionary War heroes to honor there, the Franklin family’s presence is far more subtle. And Jane? Well, she’s almost nowhere to be found.

Almost.

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This plaque is all that’s left of the house where Jane spent all her life.

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It was knocked down to make room for a memorial to this guy. The plaque does mention her briefly, but not by name. Another hazard of being female in the eighteenth century, I suppose.

But Jane did live through the Revolutionary war—in fact, as a resident of the North End, her home was right in the thick of it. In 1775 she fled the British-occupied city and took refuge with friends near Providence, Rhode Island. There, Ben came to rescue her. He took her to Philadelphia, where she spent a year with him before returning to a liberated Boston. While that year was full of turmoil and uncertainty for the citizens of the newly declared United States, 1776 was quite possibly the best year of Jane’s life. For the first time in ages, she could bask in her beloved brother’s company—and he made time for her despite being busy with other things—and as the honored guest she was largely free from work and family duty.

As far as I can tell, it was also the last time she ever laid eyes on him. And even that was a rare treat—between Ben’s high-profile career and the then-formidable distance between Boston and Philadelphia, it was impossible for them to visit one another more than a handful of times in their entire lives. And since it would have taken weeks for a letter to cross five states, and months to traverse the ocean to reach Ben in France, it’s a wonder they remained as close as they did all their lives. Lends a whole new meaning to “snail mail,” doesn’t it?

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Signed, Sealed, Soapbox is illustrated with the sweeping curves of ornate penmanship and the detailed linework of colonial engravings. A faux-bois forest of branches and flowers resembles the printed toile fabrics of the day. The swoops and swirls of the calligraphy rest in stately Wedgwood blue (complimented by a telltale vase at the bottom!), while Ben and Jane’s correspondence occupies a buttery yellow letter edged like a vintage postage stamp.

And though there is no surviving likeness of Jane Mecom, she deserves so much more than the portrait of a Jane Doe. Instead, she is made in the image of The Comtesse d’Haussonville by French painter Jean-Auguste-Dominique Ingres.

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Ben was the best big brother Jane could have asked for. So in honor of his positive influence, we’ll be donating a portion of our proceeds to the Puget Sound chapter of Big Brothers, Big Sisters—an organization dedicated to providing children facing adversity with mentor relationships that change their lives for the better, forever.

Signed, Sealed, Soapbox: No. 14 in the Dead Feminists series
Edition size: 176
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press, on archival, 100% rag (cotton) paper. Each piece is numbered and signed by both artists.

Colophon reads:
Jane (Franklin) Mecom (1712 – 1794) was born in Boston’s North End, the youngest daughter of a soap maker. Married at fifteen, she had no formal education but was a voracious reader of books supplied by her brother. She ran a boarding house and made soap to support her ailing husband, her elderly parents and her twelve children. She outlived all but one of them. Her “Book of Ages” chronicles the deaths of these loved ones, but what little we know of Jane herself can be traced to a lifetime of correspondence with her beloved brother.

Benjamin Franklin (1706 – 1790) attended school for just two years before becoming a printer’s apprentice at age twelve, but was eventually awarded honorary degrees from Harvard, Yale and Oxford. He founded the first lending library in America, reformed the colonial postal system and became the first U.S. Postmaster General. He espoused the values of thrift, hard work, education, community spirit and tolerance, and opposed authoritarianism in both religion and politics.

Despite the differences in their education and circumstances, Benjamin largely treated his sister as an equal, and penned more letters to her than any other person in his life. He sent his writings and political essays to get Jane’s opinion, and notable figures of the day visited her to pay their respects out of deference to the famous Franklin. Benjamin provided decades of financial support for Jane and her children, and upon his death bequeathed her a comfortable living — as well as public trusts to the cities of Boston and Philadelphia to fund mortgages, school scholarships and eventually establish the Franklin Institute of Technology.

Illustrated by Chandler O’Leary and printed by Jessica Spring, 100% occupied with Benjamin’s wise words — and deeds — as he signed the Declaration of Independence: “Yes, we must, indeed, all hang together, or most assuredly we shall all hang separately.”

Price: $35

Available now in our new Dead Feminists shop!

We’re hiding a whole bunch of new things up our sleeves—to be revealed as soon as we can. But we’re going to take a little bit of time to make sure we do them right. So we’re taking February off—the next Dead Feminist broadside will be released in May 2012. In the meantime, keep your eyes peeled for other surprises!

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Just wanted to give you a peek at what I’ve been doing these days. I try not to think about it too hard, because I officially unveiled the thing almost a year ago, but I’m still working on my book.

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Big dang pile of box parts; coffee cup provided for scale.

You see, it’s one thing to get the prototype done for the exhibition, but when you’re making an edition of books, that means you have to finish all the rest of the copies, too.

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Obviously, I have my work cut out for me.

Now, to hear the ancient Mayans tell it, I’d best hurry—because time is running out. And there are still so many pictures to draw!

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Illustration by Zander Cannon

So my good friend and old-tyme RISD buddy Thomas Quinn had the ingenious idea to count down our remaining days in style by designing and curating a 2012 Apocalypse Calendar, featuring a different artist for each month. The result of all his hard work (read: herding cats) is a fabulous collection of artwork—and possibly a niggling sense of dread as the days count down.

Besides the added bonus of working alongside old friends (Maris Wicks! Dan Hertzberg! Ryan Browne!) and rock-star artists I’ve admired for years (Jay Ryan! Zander Cannon!), I loved the fact that T.Q. let me interpret the theme however I pleased. Rather than going down the illustrated path of mass carnage or Biblical archetypes (I figured those topics would be well covered by the other folks), I decided to time-travel back to my favorite mass-hysterical era, the 1950s.

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I did a little research, and dug up a whole bunch of vintage advice on how to survive the end of the world—including a handbook on how to build a fallout shelter, and how to keep yourself amused once you’re in there.

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This thing just cracked me up. It has all kinds of “expert” wisdom (like how to fend off the roving bands of contaminated neighbors who will inevitably stop by to borrow a cup of sugar) and cheery photos of housewives preparing dinner with a can opener while dear ol’ Dad bonds with the kids.

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Which, of course, reminded me of my other favorite relic from the 50s: illustrated cookbooks. Talk about a goldmine! Everybody from uncredited production interns to the late, great Charley Harper did a cookbook back in the day. The fact that these illustrators were often limited to cheap, two-color printing actually made for surprising, innovative and beautiful results.

And of course, as you already know, I am completely fascinated by the sheer number of terrifying Jell-o recipes and ill-advised casseroles that crop up in old cookbooks.

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And since that got me thinking all sorts of wonderfully twisted things about housewives at the End Times, and how Jell-o can probably survive a nuclear holocaust, I decided to combine the two.

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So here’s my contribution to the calendar: how to bury your head in the sand, in style. I asked T.Q. for October, since it’s my birthday month, and he was kind enough to oblige. So I went nuts with the pumpkin orange and threw a Halloween party. Complete with absurd salad recipe (that you could actually make, but I wouldn’t advise it), shelter decorating hints, and just a little untold destruction, for garnish.

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Illustration by Steve Seeley

We decided that spiffy, large-format, high-quality offset printing is the best way to show off the artwork, so we’ve set up a Kickstarter project to fund the thing. (We even put together a nifty and hilarious video!) Kickstarter is a fairly new phenomenon, and it’s proven to be a wonderful resource for artists, especially—and since the Kickstarter logo uses the same font as the Dunkin Donuts logo, it makes my designer’s lizard brain happy.

Kickstarter works the way an NPR pledge drive does—you get various gifts in return for your support amount. Twenty bucks will buy you a calendar, and there are a bunch of goodies available at other pledge levels, like signed calendars, original art, and even the ability to make the artist of your choice do your bidding and draw your apocalyptic portrait. (Yes, you read that right.) As of today we’ve got 24 days left, and if we meet our goal, we’ll be shipping calendars in December.

Now, the tricky thing about Kickstarter is that it’s an all-or-nothing kind of thing. If we don’t make our set funding goal by the time the clock runs out, the apocalypse will come early we don’t get any of the moolah pledged so far. So pretty please, do us a huge favor by doing your annual calendar shopping a wee bit early—you can make your pledge here.

After all, if the Mayans have their facts straight, this is the last calendar you’ll ever need to buy, right?

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It’s hard to think of a better weekend activity than taking a quick trip to San Francisco.

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First of all, Jessica and I got to visit the lovely Sarah and Jesse, who live here—

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and whose back yard contains this,

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and this.

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And then we got to raise a fantastic ruckus and make guerrilla street art with a whole bunch of people looking on.

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SFCB’s got this thing down to a science. Between the small army of volunteers who took care of the inking and registration (line-up),

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and their probably-patented methods for keeping street schmutz off the prints, the results were impressive. In fact, this is my fourth steamroller print (and Jessica’s fifth), and I’ve never seen one turn out this well before.

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Besides, we really needed to keep our hands clean this time, because we upped our personal ante and just plunked ourselves down on the sidewalk for a bit of on-the-fly hand-coloring (though avoiding the very wet ink felt kind of like playing Twister).

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That turned out to be the perfect tag-team job, actually. I do a lot of hand-coloring when I print, as you know, but never anything this big—

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having two sets of hands to blend colors and two sets of eyes to look for missed spots was definitely the way to go.

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So thar she blows. Let me introduce you to Eliza Thorrold, and our latest honorary Dead Feminist print, Even Keel. Eliza was the first licensed female tugboat master on San Francisco Bay. After Charles, her husband who piloted the Ethel & Marion before her, died an untimely death, she fought for and received her operator’s license to continue their tug business in his stead and provide for her family. Her quote says it all: “My circumstances compel me to become master of my own boat.” Hear, hear, Eliza.

After she left the high seas and entered retirement as a landlubber, she became master of her own taffy pull by opening a successful ice cream and candy shop with her son. Hence all that salt water taffy. And as if the nautical sweet-shop theme weren’t enough, we couldn’t resist throwing in all our favorite things about San Francisco. So go hunting around the image, and see what you turn up. Then, on your next trip to the City by the Bay, visit the San Francisco Maritime National Historical Park, and learn more about Eliza’s life and those of other women mariners.

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We weren’t the only ones that day who focused on San Francisco for our steamroller print (sorry for the bad images here; conditions weren’t exactly ideal). We were in total awe of what our fellow printers whipped up—like this fabulous Go-zirrah by Eric Rewitzer.

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And this stunning piece (called Dürer 1510, by Rik Olson) was so chock-a-block with gorgeous, make-you-cry detail that I had to skip the big picture and zoom right in.

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So, yeah. It might not fit the traditional idea of a productive weekend, but it’ll do. We came away with new friends, blue fingertips and a whole lot of ideas to make our own humble little steamroller party better.

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Many thanks to all the staff and volunteers of the San Francisco Center for the Book, who made the day a smashing success—

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and to all the kindred spirits who lent a whole bunch of helping hands. Like the super-nice TSA employee who took such great care of our linoleum block and didn’t bat an eye that we had to bring something so huge and bizarre onto an airplane. Like Sarah, who manned our table; and Jesse, who shot most of the photos; and the huge, huggable posse of Jessica’s extended family, who helped schlep things and kept us company and bought us beignets. And especially Jessica’s ten-year-old niece, Luciana, who basically designed our table arrangement. ‘Ciani, you’re one awesome ragazza.

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And of course, to Eliza—thanks for standing proud at the helm.

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Splurging on a giant bag of salt water taffy is probably a weird way to research a new project, but I swear it’s relevant.

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That’s right—Jessica and I are carving again. We’ve been invited by the good folks at the San Francisco Center for the Book (big shout-out to the amazing Rocket!) to be among the featured artist at their eighth-annual Roadworks festival this weekend! Needless to say, we’re super excited.

So if you’re in the Bay Area, swing on by the Potrero and check it out—it promises to be a real hootenanny. The party will be taking up a whole block, chock full of artist vendors, food carts, letterpress demos, and, of course, steamroller printing! And since these guys are rumored to be the original, no-kidding inventors of steamroller printing, they’ll show you how it’s done, for real. Here’s the scoop:

Roadworks 2011
Saturday, September 24
12 to 5 pm, Free!
Hosted by the San Francisco Center for the Book
Rhode Island Street, between 16th and 17th Streets
San Francisco, CA
More information and artist roster here

As a bonus, stick around afterward for a gallery reception for the steamroller prints at 6 pm. There’ll be drinks, music, and a whole lot of loopy artists covered in ink.

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We’ve designed a brand-new, San Francisco-themed, honorary Dead Feminist for the occasion. I won’t reveal who she is until we get back, but here’s a hint: she knew her way around a fo’c’sle and a taffy pull equally well.

And of course, in honor of our muse, we’ll be sharing that salt water taffy at our table. It’s the good stuff, we promise. (Well, we had to sample it, didn’t we?)

See you in San Francisco!

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Whew. I’m home from one adventure, but I have to go off on another before I can tell you about it. There was just enough time between trips to do a little scribbling, a little scrambling—and maybe a wee bit of nervous screaming as the seconds counted down.

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We made it, though—and now, on this summer that’s had me scattered to the four winds, there’s just one compass point left to explore. So Jessica and I are off to Asheville, finished goodies in hand. When we come back next week, we’ll have a new broadside for you and a whole lot of tales to tell.

Happy trails!

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Today is Memorial Day in the United States, a holiday designated for the remembrance of those who have served in time of war. But on this day, Jessica and I can’t help but extend our thoughts to others as well, in the spirit of peace. Today our eyes and hearts are trained on the far shores of the Pacific, where the people of Japan are still reeling from the March 11 earthquake, tsunami and nuclear disaster. So for our twelfth Dead Feminist broadside, we remember them by giving wings to the words of our youngest-ever feminist, Sadako Sasaki:

I will write peace on your wings and you will fly all over the world.

As you can probably tell, this piece is a bit of a departure from our usual way of doing things. This time it just didn’t feel right to let the typography run amok, or to fill every inch of real estate with illustrated goodies. So instead, we simply opened the door and let our imaginations take flight. The quote stands quietly apart, running parallel to a flock of origami cranes rising upward from a persimmon sun. As they follow Sadako’s words and wishes, they transform into red-crowned tancho cranes, disappearing off the page.

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Since the traditions and history of Japanese printmaking are a veritable goldmine, the sky was literally the limit when it came to inspiration. But I had something particular in mind:

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This is Cranes and New Year Sun by Utagawa Hiroshige; I had the good fortune of seeing the piece in person earlier this year at the Tacoma Art Museum. Not only is it a beautiful image, but it has an interesting quirk that sort of stuck in my craw. See that line running halfway through the composition on the left? The piece is made up of two sheets of paper; it was originally designed to function as the front and rear endsheets of a book. As far as I know, the original viewer never would have seen the image as a whole—and maybe never would have given it a second thought. But together, the two halves of the image form a stunning vertical composition. That kind of brilliance blows my mind.

There’s also a bit of a practical homage for us here: just as Hiroshige’s illustration is made up of two parts, each one of our Dead Feminist broadsides is also comprised of two halves. For us it’s purely a technical limitation—Jessica’s photopolymer platemaker can only make plates that are about 8 x 10 inches in size. So since each of our prints is 10 x 18 inches, we have to break the illustration up and print it in two sections: one set of plates for the top, and another for the bottom. So that means that somewhere in every one of our broadsides, there’s a little break running horizontally through the composition. We usually try to hide it as cleverly as possible, or at least blend it in with the overall design, but it’s always there. Take a look at some of our previous prints and see if you can find it. Mind the gap!

Anyway, making references to other artists is also a bit of a running theme in Japanese art. Recognize that wave at the bottom of Hiroshige’s image?

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Yeah, I thought you did. I think Hiroshige would have understood.

Speaking of whom we have to thank for all of this, I’d like to send out a special, wingéd bit of gratitude to Hiroshi Oki for providing us with his exquisite kanji (Japanese calligraphy) rendition of Sadako’s name—and to his daughter Shiori for introducing us.

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The thing that has just enchanted us both about this project is the very idea of imbuing paper with a wish—of creating something so labor-intensive and time consuming, and then sending it out into the world for a greater purpose. Sadako wasn’t the only person to fold cranes for a wish, but she might be the most well-known. Every year, on the anniversary of the atomic bombing, Sadako’s monument in Hiroshima is festooned with thousands upon thousands of cranes—so many that permanent shelters have been erected there to house and protect them. And even in Western countries, it’s become somewhat of a tradition to give senbazuru (a set of 1000 paper cranes) as a gift to cancer patients. Talk about a ripple becoming a tidal wave.

In that spirit, we’ll be donating a portion of our proceeds to Peace Winds America, a non-profit organization based in Seattle and dedicated to disaster response worldwide. The donation will be directed to the Japan Relief & Recovery Fund, used to rebuild local infrastructure and restore the livelihoods and communities of those affected by the earthquake and tsunami. We’d like to think of this as a little senbazuru of our own.

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Peace Unfolds: No. 12 in the (Dead) Feminist Broadside series
Edition size: 166
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press, on archival, 100% rag paper. Each piece is numbered and signed by both artists.

Colophon reads:
According to Japanese legend, one who folds 1000 origami cranes will be granted a wish. After being diagnosed with leukemia—a result of her proximity to the atomic bombing of Hiroshima—Sadako Sasaki (1943 – 1955) began folding paper, hoping to live. With her best friend Chizuko, she finished 644 cranes before her death at age 12. Sadako was buried with a wreath of 1000 cranes completed by her schoolmates, and is honored with the Children’s Peace Monument in the center of Hiroshima.

Illustrated by Chandler O’Leary and printed by Jessica Spring, with kanji by Hiroshi Oki, in memory of those lost and suffering in Japan—and with a wish for hope, peace and life, once again.

Price: $35

Available now in the shop!

The next Dead Feminist Broadside will be released on August 4, 2011, at the Ladies of Letterpress Conference in Asheville, NC (letterpress folks, hope to see you there!). Look for it online on August 10.

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Despite the fact that in my brain it’s still January, and I’m still irrationally looking forward to all the catch-up time I’ll have in the “new year” (which is starting to look more and more like next year instead), the rhodies blooming right outside my studio window are hard evidence to the contrary.

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So since this is clearly May, and not January, that means that Jessica and I are due for another broadside. This weekend, while everyone else is grilling hot dogs, we’re cooking up something entirely different. Now, if only print racks left behind those tasty-looking grill marks…

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Memorial Day has a little bit of a part to play in the new piece, so we’ll be unveiling it here on Monday.

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In the meantime, have a safe and happy holiday weekend (and to all our friends outside the U.S., a safe and happy regular weekend!). See you soon.

Hi. Remember me? That’s okay, I don’t remember me, either.

Next time I try to rationalize to myself the reasons for not blogging, and I think, There’s no time, I’m going to remind myself that at least I don’t have to hand-carve my blog, backwards, out of a gigantic industrial sheet of linoleum, and then print it in the street with a steamroller.

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Wait. Maybe that would actually get me to blog more often.

Anyway, Jessica and I have locked ourselves in her studio with an armful of Talking Heads records (go, portable turntable!) and some very sharp knives. Don’t worry about us, though—it’s just an annual tradition here in T-town.

That’s because this Sunday is the seventh annual Wayzgoose, that crazy letterpress block party that draws hordes, flocks, gaggles of people to King’s Books for some seriously huge fun. And we’ll be polishing up our street cred with the main event—steamroller printing. We’ll be pounding that pavement come rain or shine (please, pray for shine), so stop by and check it out!

7th Annual Wayzgoose
Sunday, April 17, 2011
11 am to 4 pm
Free!
King’s Books
218 St. Helens Ave., Tacoma
More information and artist roster here

Near the top of a very long list of things I love about Tacoma is the sheer number of people here who know what the heck a Wayzgoose is. If you haven’t experienced ours for yourself yet, you’re in for a treat. Meet a whole host of local and regional artists; shop a huge array of letterpress art and gifts; make your own books and posters; and don’t forget to bring a t-shirt! The D.I.Y. screen printing booth will back by popular demand, and this year, some of the street-printing artists (including yours truly) are going to have bite-sized versions of their steamroller designs ready to be made into t-shirts. I know what I’ll be wearing this weekend.

Speaking of which … Jessica and I don’t want to ruin the surprise, so we’re keeping our design under wraps for now. But let’s just say that this year we’ll be getting our feathers ruffled—

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—and breaking out the ’stache wax.

See you Sunday!

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You know what? It’s pretty dark here in the winter.

No, I mean really dark. Not just a sunrise-at-eight-pitch-black-by-five dark, but a kind of silver pall that sets up a permanent residence, even at midday, and makes you forget about the sun. It’s absolutely beautiful when you’re taking a walk in the fog, or curling up with your trusty Rosie mug and a hank of yarn. Not so great when you really need a lot of natural light, though—like, say, for shooting photographs…

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…or mixing paint to fill in a huge stack of glorified coloring book pages.

So between the short daylight hours and a desperate need to reserve a little personal time, work on the book has slowed from a breakneck pace to a stately, clip-clopping trot. I still have so much to show you—so much to explain—but my head needs to catch up with my hands first (or is it the other way around?). I’m going, then, to break it up into a series of posts, and take a little extra time to gather my thoughts before I start. I don’t mean to string you along; because the process required working with a kind of tunnel vision for so long, I’m only just now seeing the “finished” product myself. So thanks for your patience—and for being interested enough to stick with me.

Thank you also for the huge outpouring of support you’ve shown since I posted this thing a couple of weeks ago. The comments, links, blog features, Tweets, emails, and amazing reviews are just overwhelming. I simply can’t find the words, except—thank you.

Part of what’s taking me so long is that at the same time, I’m working on a small series (like a baker’s dozen or so) of individual prints of images from the book (exhibit A above). There’s not a whole heap of rhyme or reason as to which illustrations I’ve chosen, except that these are some of my favorites. I’ll be posting them in the shop (believe me, they’ll be a lot more affordable than the book) as I finish them, and here on the blog (all at once) in a couple of weeks.

In the meantime, it’s time to light a few more lights, and keep the dark at bay so I can see what I’m doing.

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Which reminds me—Happy Hanukkah!

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It’s getting harder and harder to keep the secret these days—the Rainier book is almost done, and I’m just dying to show you. But I don’t want to ruin the surprise for T-town, so I’m going to keep it under my hat for just a little longer. Since November is Art at Work month here in Tacoma, I’ve got a whole kettle of shows, events, Dead Feminists, and other brand new stuff to help celebrate the occasion. So you’re invited! Come and see what’s cookin’—all events are free and open to the public. And I promise that come the week of November 8, I’m going to start some serious online bean-spilling.

Local Conditions

This is it, folks: after over two years of being under wraps, the book is gussying it up and stepping out for a solo exhibition. Here’s a brief description of what you’ll see:

Local Conditions, an interactive artist book, captures the changing faces of Mt. Rainier. Explore the 100 Views—or create one of your own—to discover a mountain both immortal and impermanent.

The book contains 120 image flats and a viewing box; by combining and layering the flats, the reader can create literally millions of scenes. Images are illustrated and compiled from data collected in person, on location, over the course of two years. Letterpress printed, watercolored, and hand-bound in an edition of 26 books. Sponsored by the Tacoma Arts Commission.

Exhibit runs November 4 through January 21
Collins Memorial Library, University of Puget Sound, Tacoma, WA

Opening reception: Thursday, November 4, 4:30 to 6:30 p.m.
Artist talk (
sponsored by the Book Arts Guild): Thursday, November 11, 7 p.m., Room 020

I know there are a ton of other arts events happening in November, so if you had to pick one Mt. Rainier-y thing to do, I’d recommend the artist talk—this is where you’ll learn about the ideas, behind-the-scenes secrets, and crazy process I’ve been hinting at for so long.

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Photo by Sarah Christianson

Studio Tour

Come say hello during the first weekend in November, as artists all over Tacoma open their shops for the annual Studio Tour circuit, hosted by the Tacoma Arts Commission. That weekend, Jessica and I will be unveiling the next Dead Feminist broadside, featuring a quote by this lovely lady (knitters, get your needles ready!):

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During Studio Tour weekend, our shops will be the only places you’ll find the new broadside. We’ll be posting photos and ordering info online the following week, but Tacoma gets first dibs—if you want to see it early, you’ll have to come to the tour!

Stop by the Anagram Press studio to chat, browse, shop, and try your hand at printing—I’ll be open both days. Then take a stroll over to Springtide Press (open Sunday only) to meet Jessica—and her seriously amazing letterpress equipment—and special guest artist Victoria Bjorklund.

Saturday and Sunday, November 6 and 7
Open 10 am to 4 pm.
More information, maps, addresses and directions can be found here.

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Sorry about the not-so-great photo…bookstore lighting. Oy.

Tacoma is Still for Lovers

If you can’t make it to Studio Tour, Jessica and I will be a part of the next Tacoma is for Lovers mega-holiday craft fair, hosted by King’s Books. The fair will run the whole weekend, with different artists on each day—Jessica and I will be there on day one:

Saturday, November 13
11 am to 4 pm
King’s Books, 218 St. Helens Ave., Tacoma

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Photo by Nathaniel Willson

Hand2Hand: The Book as Art

Wondering just what the heck an artist book is in the first place? Join us for a group exhibition of hands-on artist books, and see for yourself! I’ll have The Faery Gardener on display.

Exhibit runs November 17 through January 9
Columbia City Gallery
4864 Rainier Ave. South, Seattle

Gallery hours: Wed-Fri 12 to 8 pm; Sat-Sun 10 am to 6 pm
Opening reception: Saturday, Nov. 20, 5 to 8 pm

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Coasting

All this talk of art and shows is exhausting—is it beer o’clock yet? It is at the Tempest Lounge, and Jessica’s brought the coasters. Check out her letterpress installation, Coasting, on display through the month of November.

Tempest Lounge
913 Martin Luther King, Jr. Way, Tacoma

And don’t forget the Feminist Wiles show, open through November 5!

Whew—okay, that’s it. See you in November, if not sooner!