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Right-hand gal

Process photo of Herring Gull illustration by Chandler O'Leary

I find I’m spending more time at the drafting table these days, and far fewer hours chained to the computer. This month I am blessed with an assistant—a brilliant young woman who is helping me with my administrative and production work, in exchange for school credit, a little professional experience and the chance to beef up her design software skills.

We’re lucky to have here in T-town an arts-magnet public high school, and part of the curriculum for juniors and seniors is an internship opportunity during the winter term. I was completely ignorant of this until I received Zooey’s email last fall, asking if I would be willing to take her on. I almost turned her down, simply because I couldn’t imagine I’d have enough to keep her busy and interested for three 40-hour weeks.

But then it occurred to me that I might be able give her an accurate idea of what it’s actually like to make one’s living as a full-time artist—which largely consists of being one’s own secretary, account manager, bean-counter, marketing department, production assistant and gopher, as well as coming up with all the creative ideas. That’s something I wish I had known as a student, and yet was certainly never taught in art school.

Daily Sketchbook drawings by Chandler O'Leary

As it turns out, there’s plenty of work for both of us, and it’s been a mutual learning experience. Zooey (not her real name, in keeping with my little privacy policy) is picking up design skills they aren’t teaching at the high school level, attending client meetings and press checks, learning the ins and outs of seeing a project from concept to completion, and contributing her own ideas to creative discussions and brainstorming sessions. And I’m able to spend more time actually creating artwork, rather than endlessly playing catch-up with back-burner projects that should have been done months ago (although I crossed my heart and made her a solemn vow that I would get my own damn coffee).

The best part is having good company during the day. Running a one-woman shop is pretty solitary work, and learning that Zooey is not only a talented artist but also a mutual audiophile and movie geek made her an instant kindred spirit. (It was funny to discover that we both have a habit of singing along with the background music, but often choose different vocal parts to follow: harmony is so much more fun than a solo.) So these days I’m churning out new work and ideas faster than ever, while Zooey keeps a hand on the metaphorical wheel—and all the while the studio is filled with music and laughter.

I’m a control freak by nature, so I’m pleasantly surprised to find myself capable of letting go of the reins a bit. And I was even more surprised to learn that Zooey is the only student working with an individual artist this year (everyone else is working with firms or large companies). Here’s hoping that other artists and freelancers open their doors and minds to future students—there’s so much to learn, on both sides.

Studio photo by Chandler O'Leary