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Red kitchen

Tomatoes photo by Chandler O'Leary

Here at Chez Anagram we’ve got some serious sketching, sewing, stamping, sawing, stirring, scribbling, and, well, scrambling goin’ on. So this is just a quick gasp of air at the surface before I dive back in.

I’ve got a few things to show and tell, but they need a little tweaking first. In the meantime, I’ve finally found something that goes with our scarlet-tile countertops. Just thought I’d share.

See you soon.

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End of the Line

"End of the Line" letterpress broadside by Chandler O'Leary and Jessica Spring

For nearly a year now, the Dead Feminists series has given us an outlet for both our aspirations and frustrations. For every social and political victory, there follows a reminder of how divided we are as a culture. We were so proud to see Victory Garden become a part of a nation-wide movement toward sustainability—but a movement and a majority are not the same thing. We are delighted whenever a customer tells us that Prop Cake is meant for a wedding gift—but are heartbroken by the reminder that for many people, the gesture can only be symbolic. Yet through it all we remain optimistic that art can make a difference—that a bright future is out there, somewhere, and that we can help find the way to it.

Always remember you have within you the strength, the patience and the passion to reach for the stars to change the world.
— Harriet Tubman

This is why we chose Harriet Tubman for our latest piece. There are so many pressing issues vying for our attention—war, the economy, healthcare, the environment, transit, equality, etc.—that we couldn’t choose just one. So we decided to focus on the journey itself. For all the ground we’ve gained in our country’s short history, we have a long, long way to go—and the only way we’ll get there is together. Harriet Tubman knew that when she fought for freedom and civil rights, and she devoted her entire life to the idea.

So here, submitted for your approval, is End of the Line. As always, everything—from the illustrated lettering to the letterpress printing—is done completely by hand. This time, though, we’re asking you to flex your reading muscles a bit: to symbolize the difficult journey faced by anyone with a great task, we made it somewhat of a challenge to read.

Detail of "End of the Line" letterpress broadside by Chandler O'Leary and Jessica Spring

Don’t worry, though—Harriet is there to guide you. Just follow her lantern, and you’ll find the right path. If you lose your way, just look for the Drinkin’ Gourd.

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

End of the Line: No. 5 in the Dead Feminists series
Edition size: 146
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press and hand-colored with watercolor. Each piece is printed on archival, 100% rag, recycled paper, and signed by both artists.

Colophon:
Harriet Tubman (1820 – 1913) was born Araminta Ross as a slave in Maryland. In 1849 she escaped north traveling via the Underground Railway to Philadelphia. Once free, “Moses” made 19 more round trips—guiding nearly 300 slaves to freedom—and she “never lost a passenger.” During the Civil War, Tubman recruited slaves to fight for the Union Army and led the Combahee River expedition to free more than 750 people. After the war she continued to work tirelessly for the rights of women and African Americans.

Illustrated by Chandler O’Leary and printed by Jessica Spring, who believe that cooperation and hope give us the momentum to reach the end of the line—without losing any passengers.

UPDATE: poster is sold out. Reproduction postcards available in the Dead Feminists shop!

Detail of "End of the Line" letterpress broadside by Chandler O'Leary and Jessica Spring

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Coming soon!

Process drawing of "End of the Line" letterpress broadside by Chandler O'Leary and Jessica Spring

Jessica and I are almost ready to unveil the next Dead Feminist broadside! The ink is drying as I speak, so End of the Line will be available this Friday, August 14. For now, this is just a taste. Brush up on your mirror-reading skills, because this one is going to be a challenge. Stay tuned!

Process drawing of "End of the Line" letterpress broadside by Chandler O'Leary and Jessica Spring

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A year in pictures

Columbia River Gorge photo by Chandler O'Leary

A year ago today our bright yellow moving truck pulled into Tacoma and turned the corner onto a new home, a new career, a new life. Here I am, 365 days later, and I’m still just as excited as on day one. To everyone in T-Town (and Seattle, and Portland, and everywhere in between!) who has welcomed me as one of your own: thank you, with everything I have.

I tend to be a list-maker, constantly looking ahead to what is yet to be done. And as I sifted through the thousands of photos I took over the past year, trying to narrow them down to a few favorites, a whole new to-do list emerged. Despite my best, most frantic efforts, I’ve barely scratched the surface of this new home of mine.

Seattle ferry photo by Chandler O'LearyOlympic Peninsula photo by Chandler O'LearyFrenchman's Coulee photo by Chandler O'LearySkagit Valley tulips photo by Chandler O'LearyMt. Rainier wildflowers photo by Chandler O'LearyTacoma photo by Chandler O'LearyPike Place Market photo by Chandler O'LearyBlackberries photo by Chandler O'LearyGray Jay photo by Chandler O'LearySnow photo by Chandler O'LearyGinkgo sign photo by Chandler O'LearyRose photo by Chandler O'LearyMt. Rainier photo by Chandler O'LearyGaloshes photo by Chandler O'LearyKites photo by Chandler O'Leary

So I’ve got my work cut out for me. Washington, I’d like to get to know you a little better.

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Daughter of Kura

"Mother of Asili" book cover illustration by Chandler O'Leary

Lately I’ve been doing some things that fall a little outside of what you might normally find in my studio. See figure A, above. Daughter of Kura, the debut novel by Debra Austin, is being released tomorrow, so Debra and the folks at Side x Side Creative put together an in-depth website to promote the book and give background information about the book. They asked me to contribute some illustrations to the project. (Full disclosure: I’m not the book jacket illustrator. Edited to add: the above illustration did become the jacket illustration for the book’s sequel, Mother of Asili.)

This was no ordinary illustration gig; in fact, I’d say this project was one of the biggest creative challenges I’ve faced yet. You see, Daughter of Kura is a novel about a pre-human culture—not merely prehistoric, but pre- homo sapiens. The only reference materials available were the fossil record and educated conjecture. It took a lot of research on everybody’s part to bring all of this together, and we hope you’ll be as pleased with the final product as we are. You can learn more about the book and see all of the illustrations here.