Archive for June, 2011

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Eureka!

(Sorry. I just felt a great need to say that. Ahem.)

Located on a flat coastal plain, exactly halfway between two redwood forests, is the city of Eureka, CA. I stopped there for a cuppa after my sojourn in the trees, and was charmed in a heartbeat.

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Thanks to its obvious proximity to timber, Eureka is chock-a-block with fancy Victorian and Art Deco architecture. And it’s not the only town on the Redwood coast that can make that claim. I wandered into a bookstore downtown, and found a volume on the subject—it mentioned a whole host of nearby towns teeming with Victorian buildings.

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Since one of them was only a few miles away, in the direction I’d already come, I turned around and headed back up the valley to Ferndale.

ferndale_4_4544This “Cream City” had its heyday in the 1880s, when the area’s prosperous dairy farms provided much of the wealth that built the town. These affluent farmers built ornate and sumptuous homes there—which the locals nicknamed “Butterfat Palaces.”

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When I got there, the light was fading fast; looks like the cream would have to wait.

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So I spent the night here,

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and after an early breakfast, I took a stroll around town.

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As seemed to be a running theme for the trip, I had the place to myself. The only sounds I heard were mourning doves and lowing cattle—and the early morning glow bathed the buildings in sunlight.

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Ferndale is a tiny town; if you add up all its historic buildings you might get three or four city blocks. But the place is worth its weight in butter when it comes to the details.

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Those details actually played a large part in saving the place from destruction and “urban renewal.” In the 1940s the buildings on main street were slated for demolition, until a local resident bought up every threatened building, and then painted them in outrageous Victorian colors—essentially creating the tourist draw the place enjoys today.

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Now, I probably could have stared at this stuff all day, but then I turned a corner, and stopped dead in my tracks. But before I go on, I have to provide a little back story.

The Tailor and I have a tradition of putting together a jigsaw puzzle on New Year’s Day (a riveting pastime, I know, but we love it)—we’re always raiding thrift stores in search of the next puzzle. This year’s was an image of an ornate victorian house, in some town I’d never heard of.

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Well, when I turned that corner, I was absolutely gobsmacked to discover it was the jigsaw puzzle house!

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Let me introduce you to the Gingerbread Mansion. It’s a place I know well, having reconstructed its facade from 1000 pieces of cardboard.

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I meant to stay longer and do a more complex drawing, but it was cold that morning, and it felt like I was going to freeze my fingers off. It looked like quick sketches were going to be another theme for the trip.

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So I completed the loop of my walk instead, and discovered my favorite Butterfat Palace of them all. I mean, come on! Who doesn’t love gumdrop topiary trees?

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And that pink door! Just enchanting.

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So … when can I move in?

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The tree is more than first a seed, then a stem, then a living trunk,
and then dead timber.  The tree is a slow, enduring force straining
to win the sky.

—Antoine de Saint-Exupéry

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I’ve had four months now to mull over the experience of driving through a redwood forest in the early morning, in complete solitude and silence. And even now, there really are no words to describe it.

Now, I seem to have plenty of words to describe the phenomenon of drive-through trees, which, in my humble opinion, are a perfectly concise illustration of exactly everything that is wrong with America.

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Thankfully, though, a redwood forest by its very nature makes it easy to ignore such things. Because my brain certainly wasn’t going to get a handle on what my eyes were seeing—nor was my camera.

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And neither, it turns out, was my paintbrush. I needed a sketchbook that was six inches wide by about twenty feet tall.

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And then I realized that I needed a sense of scale, a point of reference. Enter the only other car I saw that morning, and my wide-angle lens.

Eh. That’s still not it. The only thing to do is to go there in person, crane your neck, and gaze upward in wonder.

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Even though my trip south originally brought me across the Bay, it seemed like San Francisco was the logical starting point for my long trek home along the coast. So before I crossed the bridge,

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I decided to inaugurate the journey with a quick sketch. Of course, then I had to resist the urge to get sucked in and just stay there all day (all week, all year…), just soaking in the place. But then I realized that San Francisco is quickly becoming what New York always was to me in the past: my go-to destination, my sister city. That thought—and the knowledge that I’d most definitely be back (and back, and back…)—gave me the wherewithal to stick to the plan.

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So I waved a quick goodbye on the other side of the Gate (and that Journey song popped into my head for the umpteenth time that trip), and headed north.

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It wasn’t long before I’d left civilization almost completely behind. My chosen route was the (in)famous Highway One, which winds a precarious path along the shore, with breathtaking views and treacherous challenges at every hairpin turn. In other words, it was perfect in nearly every way. Despite the environmental guilt of it all, I confess that I love driving—and hugging the curves of 300 miles of switchbacks in a stick-shift Subaru? Pure, unadulterated bliss. And while I missed the company of the Tailor, or any of my other traditional travel buddies, it was nice to be able to stop and take a picture every thirty seconds, without the risk of annoying anyone!

Anyway, I knew that by traveling the Coast Highway on a weekday in February, I’d have the place pretty much to myself. But I was completely unprepared for the solitude that awaited me at my first stop along the way: Point Reyes National Seashore.

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Point Reyes is a long, jagged cape with an equally long history. Sir Francis Drake reportedly landed there in 1579, and people have inhabited it, farmed it, settled it, and even wrecked their ships upon it for many, many generations. Since the 1850s much of the land has been parceled out into dairy farms, which are still in operation today, thanks to the protection of the National Park Service.

What first struck me about the place is the near total absence of trees. The place reminded me more of the Scottish highlands than anything I’d seen in California—and in fact, one of the few small towns located on the peninsula is called Inverness.

And I’m sure that at the height of summer, the place is crawling with tourists—but that day I was completely alone. For miles and miles and miles, it was just me and the cows.

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Oh, yeah, and these gals.

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I hadn’t intended to travel the whole length of the cape; I wasn’t on a fixed timetable or anything, but by that point it was already late morning. But I saw a sign indicating a lighthouse ahead, so I kept going. There was no mile count on the sign, and I didn’t bother to fish out the map. It couldn’t be far, right? Well, the road wound on and on and on, with no sign of a lighthouse, and no indication of where this would end. But then, a full twenty miles on, the track came to an abrupt end. I got out of the car, faced back north, and nearly had to pick my jaw up off the ground.

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The lighthouse was just a short hike from there:

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I could see why people were forever dashing their boats upon the rocks.

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And that wasn’t the only thing I could see. I was staring into the bright teal surf when something surfaced and caught my eye:

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A gray whale! It’s funny—I’ve lived on one coast or another for over eleven years of my life, and I’d never seen a whale in person before. If that wasn’t worth the forty-mile detour, I don’t know what is.

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By then the morning was gone, and I was beginning to crisp in the sun. So I did one quick, 2-minute watercolor, and made the long trek back to the highway.

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The remaining stretch of Highway One was almost equally deserted. It made the miles melt away quickly, and gave me the feeling that I had the whole Pacific to myself.

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Before long, the rolling hills and eucalyptus trees tapered off,

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and the landscape gave way to cypress stands and evergreen forests.

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The road ended just as the day did. As the sun went down the path turned eastward, away from the shore, and plunged into the thick darkness of coastal forest. By the time I pulled into a hotel for the night, it was pitch black, and Highway One had been replaced by the other Pacific Highway: US 101. I was in completely unfamiliar territory, and would be until I came all the way north to Astoria several days later, but despite the darkness and lack of bearings, I knew what lay ahead. And I was almost too excited to sleep, because I knew that in the morning, the sun would reveal exactly where I was: in the heart of redwood country.

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My usually insatiable wanderlust has been at an absolute fever pitch lately—and a recent, intense case of studio burnout has only intensified the feeling. So in order to recharge the old battery a bit, and maybe stir up some brand new inspiration, I’m closing up shop and hitting the road. The Tailor and I are embarking on an epic five-week cross-country adventure, starting tomorrow morning. Along the way, if all goes according to plan, we’ll visit eighteen states and six Canadian provinces—and probably a host of camera stores on either side of the border, since I don’t think I’ll ever have enough memory cards to keep up with my trigger finger.

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We’ll be back in the third week of July, which will give Jessica and me just enough time to design and print a new Dead Feminist broadside, and then hop a plane with the stack of prints. Jessica and I will be among the presenters at the first annual Ladies of Letterpress Conference in Asheville, North Carolina. If you happen to be local (and since a curiously huge percentage of our customers and followers live in NC, you might be!), swing on by and say hello! The conference will be held on August 5-7—as far as we know, we’ll be up to bat on the first evening.

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So as you can see, I’m going to have some blogging to do in the near future. Which reminds me that I never had the chance to report back about my last road trip. Either time flies, or I’m spinning too many plates. Since I won’t be set up to live-blog from the road this summer, I’ve queued up a series of posts about the Pacific Coast Highway to run while I’m away. It’s almost like being in two places at once!

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But before we traipse from coast to coast,

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there are still a whole lot of ducks (plovers?) to line up.

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There are keys to turn over to the house-sitters, packages to load into the car … and so help me, I’ve got to remember to water the plants!

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So anyway, you take the high road, and I’ll take the low road,

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and we’ll meet up again, at the other end.