Archive for August, 2009

redkitchen_9742

Good gravy, has it really been that long?

Sorry about the long, awkward silence, folks. Here at Chez Anagram we’ve got some serious sketching, sewing, stamping, sawing, stirring, scribbling, and, well, scrambling goin’ on. So this is just a quick gasp of air at the surface before I dive back in.

I’ve got a few things to show and tell, but they need a little tweaking first. In the meantime, I’ve finally found something that goes with our scarlet-tile countertops. Just thought I’d share.

See you soon.

flock_prints_41

Thank you for all the Harriet Tubman love! I’m still up to my eyeballs in orders to fill, so this’ll be a quick one to let you know about some events coming up on the calendar.

Tacoma is for Lovers!
This Sunday, August 23, is the third Tacoma is for Lovers benefit craft fair—this time we’ll be part of the North 21st St. Bridge Fest, here in T-town. We’ll be setting up shop from 2-6 pm at Source Yoga. I’ll have a table, with Harriet Tubman, prints and cards, and some new birds (see above) in tow. Stop by and say hello!

svc_wayzgoose1
Design by Amy Redmond

Wayzgoose!
It’s time for Seattle’s answer to the Wayzgoose festival! The School of Visual Concepts is hosting the party, and it promises to be extra-super spectacular, with a letterpress marketplace, print demos, equipment swap, and of course the star of the show: Steamroller Smackdown! Jessica and I are sitting this one out, but we will have a table in the marketplace, and the weather should be better than it was at the March Wayzgoose, so let your inner printer’s devil out to play! Saturday, August 29, 1-6 pm, at 500 Aurora Ave. North, Seattle.

maritime_fest

Maritime Fest!
The friendly folks at the Commencement Bay Maritime Fest asked me to design this year’s poster. It was an absolute blast of a project, and even more fun to see plastered all over Tacoma. The party is taking over the docks on August 29-30, 10 am – 6 pm, along the Thea Foss Waterway here in T-town. And speaking of Thea, Jessica and I have entered the very last copy of Tugboat Thea in the Maritime Fest juried art exhibition, which runs through September 13. Come see Thea in her spiffy new frame, and wish us luck!

Bumbershoot!
Last year I fulfilled a personal dream by finally attending the infamous Bumbershoot Festival in Seattle (Neko Case, you were fantastic. Just sayin’). This year, I guess I’m shootin’ the moon, because I get to be part of the action! I’ll be helping out at the Seattle Center for Book Arts booth in the Indie Market (located just outside Key Arena; you can download a festival map here) on Saturday, September 5, from 11-4 pm. We’ll be practicin’ and preachin’ (and selling!) the book arts to a whole new choir, so come check it out.

Space-age letterpress in Seattle!
Ever wanted to try your hand at letterpress printing? This fall I’ll be teaching the techniques behind End of the Line, Victory Garden, Versailles, and other pieces at the School of Visual Concepts in Seattle. This class will combine the latest digital applications, old-school printing equipment, and good old hand-drawing, and will push the envelope of what letterpress can do. This ain’t your grandpa’s style of printing—unless your grandpa signs up, that is!

Digital Design Meets Letterpress Printing
Ten Mondays, Sept. 28 – Dec. 14, 2009*, 6:30 – 9:30 p.m.
School of Visual Concepts, Seattle, WA
For more information on the class, look here.
*(no class on Columbus Day, Monday, Oct. 12)

jacobsladder_7357

Tricksy bookbinding in Portland!
Who says books aren’t meant to be toys? In October I’ll be traveling to the lovely Portland, Oregon to teach the Jacob’s Ladder binding at 23 Sandy. This is the structure used in my last artist book, The Faery Gardener, and a replica of the famous children’s toy. This binding is is so tricky it’ll make your head spin, and so devilishly simple it’ll blow your mind. If you’ve ever been tempted to rip one apart to see what makes it tick, this class is for you. Come build your very own from scratch, on Sunday, October 4, from 12-4 pm. You can read more and register for the class here.

end_of_the_line

For nearly a year now, the Feminist Broadside series has given us an outlet for both our aspirations and frustrations. For every social and political victory, there follows a reminder of how divided we are as a culture. We were so proud to see Victory Garden become a part of a nation-wide movement toward sustainability—but a movement and a majority are not the same thing. We are delighted whenever a customer tells us that Prop Cake is meant for a wedding gift—but are heartbroken by the reminder that for many people, the gesture can only be symbolic. Yet through it all we remain optimistic that art can make a difference—that a bright future is out there, somewhere, and that we can help find the way to it.

This is why we chose Harriet Tubman for our latest piece. There are so many pressing issues vying for our attention—war, the economy, healthcare, the environment, transit, equality, etc.—that we couldn’t choose just one. So we decided to focus on the journey itself. For all the ground we’ve gained in our country’s short history, we have a long, long way to go—and the only way we’ll get there is together. Harriet Tubman knew that when she fought for freedom and civil rights, and she devoted her entire life to the idea.

So here, submitted for your approval, is End of the Line. As always, everything—from the illustrated lettering to the letterpress printing—is done completely by hand. This time, though, we’re asking you to flex your reading muscles a bit: to symbolize the difficult journey faced by anyone with a great task, we made it somewhat of a challenge to read.

end_of_the_line_2

Don’t worry, though—Harriet is there to guide you. Just follow her lantern, and you’ll find the right path. If you lose your way, just look for the Drinkin’ Gourd.

End of the Line: No. 5 in the Feminist Broadside series
Edition size: 146
Poster size: 10 x 18 inches

Printed on an antique Vandercook Universal One press and hand-colored with watercolor. Each piece is printed on archival, 100% rag, recycled paper, and signed by both artists.

Colophon:
Harriet Tubman (1820 – 1913) was born Araminta Ross as a slave in Maryland. In 1849 she escaped north traveling via the Underground Railway to Philadelphia. Once free, “Moses” made 19 more round trips—guiding nearly 300 slaves to freedom—and she “never lost a passenger.” During the Civil War, Tubman recruited slaves to fight for the Union Army and led the Combahee River expedition to free more than 750 people. After the war she continued to work tirelessly for the rights of women and African Americans.

Illustrated by Chandler O’Leary and printed by Jessica Spring, who believe that cooperation and hope give us the momentum to reach the end of the line—without losing any passengers. 146 copies were printed by hand at Springtide Press, way up north in Tacoma. August 2009.

Price: $35
(Subscribers to the entire series pay $30. If you’re interested in subscribing, send me a note at chandler [at] anagram-press [dot] com.)

Available now in the shop!

Since the others in the series are now sold out (there is still a framed copy of both Tugboat Thea and Prop Cake), we’re also offering reproduction postcards of the first four broadsides. Everyone who subscribes starting with End of the Line will receive one free set of postcards.

(The next Feminist Broadside will be released in November 2009.)

end_of_the_line_3

harriet_peek_1

I’ve had my nose to the grindstone for the past week or so—suddenly I looked up and it was August 12. How in the world did that happen?

There are good things in sight, though—I promise. For one thing, Jessica Spring and I are almost ready to unveil the next Feminist Broadside! The ink is drying as I speak, so End of the Line will be available this Friday, August 14! Look for a post here with photos and links to the shop.

harriet_peek_2

For now, this is just a taste. Brush up on your mirror-reading skills, because this one is going to be a challenge. Stay tuned!

anniversary_1_2368

A year ago today our bright yellow moving truck pulled into Tacoma and turned the corner onto a new home, a new career, a new life. Here I am, 365 days later, and I’m still just as excited as on day one. To everyone in T-Town (and Seattle, and Portland, and everywhere in between!) who has welcomed me as one of your own: thank you, with everything I have.

I tend to be a list-maker, constantly looking ahead to what is yet to be done. And as I sifted through the thousands of photos taken over the past year, trying to narrow them down to a few favorites, a whole new to-do list emerged. Despite my best, most frantic efforts, I’ve barely scratched the surface of this new home of mine.

anniversary_23_9517

anniversary_3_68880290

anniversary_4_0656

anniversary_5_0396

anniversary_6_5811

anniversary_7_9481

anniversary_8_0568

anniversary_9_6678

anniversary_10_2438

anniversary_11_5245

anniversary_12_0371

anniversary_13_0472

anniversary_14_6595

anniversary_15

anniversary_16_8094

anniversary_17_0003

anniversary_18_0160

anniversary_19_5458

anniversary_20_2623

anniversary_21_0386

anniversary_22_8231

anniversary_2_8502

anniversary_24_0293

So I’ve got my work cut out for me. Washington, I’d like to get to know you a little better.

daughter_of_kura

Lest you think this has become a food blog, a whole lot of exciting things have been happening around the studio lately. Two new birds from the Flock series will make their debut this week, and the next Feminist Broadside is coming out later this month. And tomorrow will be a day of celebration for an author I’ve had the pleasure of working with this summer.

Daughter of Kura, the debut novel by Debra Austin, is being released tomorrow. To promote the book, Debra and the folks at Mary Holste Design put together an in-depth website, and asked me to contribute my illustrations to the project (full disclosure: I’m not the book jacket illustrator).

This was no ordinary illustration gig; in fact, I’d say this project was one of the biggest creative challenges I’ve faced yet. You see, Daughter of Kura is a novel about a pre-human culture—the only reference materials available were the fossil record and educated conjecture. It took a lot of research on everybody’s part to bring all of this together, and we hope you’ll be as pleased with the final product as we are. You can learn more about the book and see all of the illustrations here.