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Love between the lines

Coloring cards by Chandler O'Leary

Today I am surrounded by piles of bird illustrations and hot pink envelopes, because it’s time once again for my local Valentine craft fair! My newest goodies this year are these color-your-own love notes, inspired by those adult coloring books that have been all the rage lately. I did a trial run with a little Tacoma coloring card last fall, and then you people nearly cleaned me out of them in one fell swoop! So this time I’ve done something with a slightly wider appeal, in case you don’t happen to live in my lovely town (and if you don’t, you can find these cards online in the shop).

If you are local, stop by this Saturday and see them in person. Here are the details:

Tacoma is for Lovers Valentine craft fair
Saturday, February 6, 2016
11 am to 4 pm, free!
King’s Books, 218 St. Helens Ave., Tacoma, WA

See you there!

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Secret spring

Camellia photo by Chandler O'Leary

It’s been a tough couple of weeks around here, and it’s the time of year when the Northwest is shrouded in a dark silver cloud most days. But just out my studio window is an early-blooming camellia, giving me a pop of spring color just when I need it most.

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I think his spaceship knows which way to go

David Bowie records photo by Chandler O'Leary

It’s a tradition in my family that when a beloved musician dies, we play their entire back catalog of records in chronological order. I grew up on David Bowie as a kid, and then started feverishly collecting albums almost 20 years ago. By the time I’d amassed pretty much everything he’d ever done, I started joking that when his day came, it’d take me a month to play it all. I’m sorry that that day is already here.

I don’t usually write or post these days about the music I love, because taste is so personal and so subjective. But music is a huge part of my life, and I’ve loved Bowie’s music better and longer than anything else.

RISD Mixed Media newspaper featuring David Bowie comic by Chandler O'Leary

And more than that, Bowie has had an enormous influence on me as a visual artist—and I’m not talking about the fan-girl comic-book concert reviews I used to draw for the RISD newspaper, circa 2002 (and I think they only let me do that because my friends were the editors).

What I mean is that Bowie was a huge cultural force, a tastemaker—and I delved into his work at the time when I was forming my own tastes and just beginning to make my own responses to my culture.

Tribute posters by Chandler O'Leary

I hesitate to show you these, because most of my student work makes me cringe, but these were part of a series of fake concert posters (of real, historical concerts) I did when I was just starting to do formal lettering work. The lettering is neither her nor there, but it was Bowie’s ever-changing alter egos that inspired me to use different historical periods as the inspiration for each poster. Bowie himself was heavily influenced by history and different cultural traditions—much of it of the non-musical variety—from Kabuki theatre to current events to French mimes to dystopian novelists to Picasso paintings to couture apparel designers, and everything in between. I remember this fact blowing my mind at the time, and it encouraged me to seek inspiration for my work away from my own field and contemporaries. That’s still the primary way I work, and I owe that to him.

The other thing Bowie taught me was not to be afraid to reinvent myself, to change direction and explore something new or totally different. He taught me that it’s possible to create many different types of things, in a wide range of styles that might bear little resemblance to one another, and still come away with a cohesive body of work. As a cultural omnivore who learned from the best of them, that makes perfect sense to me. Yet we still live in a world that largely expects artists to pick one medium, one genre, one style, one “signature” thing and stick with it forever and ever, amen. To reject that notion and follow one’s own path, wherever it might lead, takes a lot of bravery and faith in oneself (and one’s audience!). Bowie’s instincts were unparalleled. He knew how to be broad and deep all at once—he could change a thousand times and never come across as a flake. Instead, he added a new and exotic ingredient to every concoction, until he became one hell of a master chef. If even the smallest fraction of that bravery and instinct might rub off on me, I’ll count myself luckier than I can say.

Tribute poster by Chandler O'Leary

The things we love are a part of who we are and what we contribute to the world ourselves. And sometimes, if we’re lucky, our influences come full circle and bring the things we make in contact with that which inspires us. I got to have a short conversation with David Bowie once, over a decade ago, because of one of those fake posters I designed. I brought this one, printed at a huge size, to a show where I had a front-row seat. During a lull I held it up, and he said nice things to me and asked if I had a request. I told him, and he launched into a 20-minute rendition of “Station to Station.” When it was over, he asked if the rendition was to my liking—I responded with a curtsy, and he laughed and said, “Good curtsy! Nobody curtsies anymore!”

All my friends and family know I’m a huge Bowie fan, and have been emailing and texting me all day about him. My brother sent me the setlist of a mix tape of favorite Bowie songs I made him as a teenager. The sequence of songs still holds up well today, I think, and suddenly it seems like the perfect sendoff. Here they are, with just one small change:

1. Sorrow
2. Fantastic Voyage
3. Rock n’ Roll with Me
4. Panic in Detroit
5. It’s No Game
6. Time
7. The Man Who Sold the World
8. DJ
9. Queen Bitch
10. All the Madmen
11. Beauty & The Beast
12. Sound & Vision
13. Andy Warhol
14. Moonage Daydream
15. Boys Keep Swinging
16. Ashes to Ashes
17. After All
18. Drive-in Saturday

Raising a glass to Major Tom, to Ziggy, to Aladdin Sane, to Halloween Jack, to the Thin White Duke, to the Blackstar, wherever you are now. You were, are, and will forever be my favorite—and my first influence. Cheers.

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A blank page

Holiday cards by Chandler O'Leary

A lot of things had to fall by the wayside in the past few months (including this blog!), while some major projects ruled my life. The big deadlines still hold sway for now, but I’ve started to catch up in other ways. The holidays are done and dusted, the end-of-year to-do-lists are crossed off (mostly), and this huge stack of greetings is in the mail. Here’s to turning the page, and writing (and drawing!) the next chapter.

Happy New Year!

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…and to all a good night

Christmas photo by Chandler O'Leary

Tacoma photo by Chandler O'LearyChristmas photo by Chandler O'LearyTacoma photo by Chandler O'LearyChristmas photo by Chandler O'LearyChristmas photo by Chandler O'LearyChristmas photo by Chandler O'Leary

Shooting grainy on-the-fly night photos doesn’t always yield the best results, but it’s done a great job of documenting this year’s Season of Light. I hope yours is as warm and bright as ours has been, and that you are surrounded by joy while the sun makes its way back to us.

Good Yule, and Merry Christmas.

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Last shot!

Detail of "Gun Shy" and "Focal Point" Dead Feminist broadsides by Chandler O'Leary and Jessica Spring

We’ve been in a flurry of holiday orders lately, and our Dead Feminist broadsides are flying off the shelf. I just did a count of our broadside inventory, and I thought I should tell you that both our Annie Oakley and Imogen Cunningham broadsides are nearly sold out. As of this writing (afternoon of Friday, December 18, 2015), we’re down to 7 copies of “Focal Point” and just 5 copies of “Gun Shy.” So if you’ve had your eye on either of these gals for awhile now, here’s your last shot! (And how often do I get to make a rifle pun and a camera pun at the same time?) You can bag them both, until they sell out, in our Dead Feminists shop.

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The door’s open

Studio Tour photo and New York state illustration by Chandler O'Leary

It’s hard to believe this much time has gone by already, but Tacoma Arts Month is here again, and that means that Studio Tour is this weekend! I’m all settled into my new space (don’t go to the old house by mistake!)—won’t you help me christen it? I’m planning on doing a big blog reveal of the new studio soon, but I thought I’d let local folks be the first to see it (and the first to meet my ORANGE CHAIR, about which I am ridiculously excited).

As usual, I’ll be open both days. You’ll be able to make your own die-cut greeting card, stamp your Studio Tour Passport (that’s a new feature this year, with prize drawings for folks who visit at least 8 studios!), and of course shop for original artwork and stationery. Our street is under construction at the moment, but don’t let that stop you—there’s plenty of parking just up the hill, and the sidewalk is wide open and pedestrian-friendly. Here’s the info:

14th Annual Tacoma Studio Tours
Saturday and Sunday, October 17 and 18, 2015
11 am to 5 pm, free!
(My studio is #12 on the tour)
More info, locations and maps available here

See you this weekend!

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Seven for seven

Orcas Island sketch by Chandler O'Leary

I can hardly believe it, but I’ve now lived in the Pacific Northwest for seven years.

Mt. Rainier sketch by Chandler O'Leary

In that time I’ve done my very best to see as much of the region as possible, and document it all in my sketchbook.

Yakima apples sketch by Chandler O'Leary

So in honor of seven years, here are seven sketchbook drawings—

Seattle houseboat sketch by Chandler O'Leary

—presented in no particular order—

Columbia River sketch by Chandler O'Leary

—of some of my very favorte places

Panama Hotel sketch by Chandler O'Leary

and moments

Tacoma sketch by Chandler O'Leary

in the place I now call home.

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Berry jamboree

Berries photo by Chandler O'Leary

Because we’re having a record-hot summer this year, everything is coming into season early. And it’s all ripening at once, which made us look at the shelf of canning jars in panic.

Home canning photo by Chandler O'Leary

But there was nothing for it but to dive in and start filling jars (and jars and jars).

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Midsummer sights

Rainier cherries photo by Chandler O'Leary

For the first time in anybody’s memory around here, the height of the season has actually arrived by the time the official solstice declared it “summer.” And as if on cue, it’s summer around our house, too.

Ourdoor brick grill photo by Chandler O'Leary

So it seemed fitting to take a break from the more pressing repairs on our new house and focus on rehabilitating the vintage 1950s brick grill in the back yard. The Tailor’s parents were here over the solstice, and he and his dad got the grill back into shipshape—and then re-christened it with some seriously good kabobs over the charcoal from some fragrant cedar logs.

Deer photo by Chandler O'Leary

And we’re not the only ones celebrating summer at our house: this gal has been a regular visitor all month (she’s helping us prune back our shrubs…and pilfering a few apples as payment). When we stepped out back to hang some laundry outdoors, though, we were startled to find her napping in the shade back there. She watched us put the sheets up on the line, and waited patiently for me to grab my camera.

I suspect she’ll demand some more apples from us pushovers after this—ah, well. We can put up garden fences next year—and buy our apples for this year’s canning.

Happy summer!